Released in 2004, R.E.M.’s Around the Sun stands as one of the more divisive entries in the band’s discography. While it doesn’t reach the same heights as some of their earlier iconic albums, it’s not without its merits and moments of reflection. It was the first album to feature drummer Bill Rieflin who served as the de facto replacement for original drummer Bill Berry. Many fans might point to Around the Sun as the bands nadir and guitarist Peter Buck commented that it is unlistenable because it was ‘a bunch of people that are so bored with the material they can’t stand it any more.’ However, there are definite bright spots on the album.
Though only ever pressed on vinyl upon its release in 2004, it is now seeing a repress as R.E.M. and Craft Recordings have partnered to reissue their long unavailable titles on vinyl. Each reissue were cut by Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl at MRP.
The album opens with “Leaving New York,” a song that possesses a certain melancholic beauty. Michael Stipe’s distinctive vocals are as evocative as ever, and the lyrics paint vivid emotional landscapes. However, this strong start gradually gives way to a series of slower, more introspective tracks that dominate the album’s overall tone. Around the Sun often feels like a contemplative, almost meditative work. Songs like “Make It All Okay” and “I Wanted to Be Wrong” carry a sense of introspection and vulnerability, revealing Stipe’s knack for storytelling through enigmatic lyrics. The band’s ability to create sonic textures and atmosphere remains intact, with subtle instrumental nuances adding depth to the music.
While the album’s introspection has its merits, it also contributes to a somewhat monotonous feel. Some tracks, like “The Worst Joke Ever” and “The Ascent of Man,” can feel a bit lackluster and fail to leave a strong impression. This results in Around the Sun lacking the dynamism and diversity of R.E.M.’s earlier work. There are moments of political and social commentary woven into the album, most notably in “Final Straw,” which addresses the Iraq War and speaks to the band’s penchant for using their platform for social awareness. However, these moments are relatively few and somewhat overshadowed by the album’s more contemplative themes.It’s worth noting that the production quality on “Around the Sun” is impeccable, as one would expect from a band with R.E.M.’s experience. The arrangements are polished and well-crafted, making the album an easy listen from a technical standpoint.
Around the Sun represents a transitional phase in R.E.M.’s career. While it may not reach the heights of their most celebrated albums, it still contains moments of beauty, introspection, and lyrical depth. It’s an album that may not be appreciated by fans seeking the band’s more energetic and iconic sound but could resonate with those looking for a mellower, contemplative experience. Ultimately, Around the Sun reflects R.E.M.’s willingness to evolve and explore different musical directions, even if it doesn’t always hit the mark with the same impact as their earlier works.
One Response
good and intelligent assessment of the album I thought the album was good. No songs from it would be in their top 5 best songs But I liked and though album good