Tony Engelhart

Dwight Yoakam: Blame the Vain

Dwight Yoakam was too Country for Country when he debuted in 1986 and 2005 is no exception. In the era of candy coated Country, Dwight again finds himself the outsider. However, if the past is any indication of Yoakam

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TSAR: Band-Girls-Money

Unlike the Weezer-esque timbre of the first record, this sophomore set is in your face with very little over-the-top production; just straight rock and roll.

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Garbage: Bleed Like Me

If Garbage’s goal was to remain an unpredictable and enigmatic force with a cult following, then they have succeeded. While hard core Garbage lovers are salivating over the new record, Bleed Like Me probably isn

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Keane: Brit-Pop’s New Golden Boys (Tim Rice-Oxley Interview)

Power-pop trio Keane has had quite a year since the release of their debut, Hopes and Fears. And it seems to be continuing, as they were recently honored with the Ivor Nouello Award as “Songwriters of the Year,” and are slotted to headline at six festivals before joining U2 for five shows.

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