With a handful of new musicians added since their last album five years ago, Leftover Salmon has returned with a more mature edge, that blends their unique bluegrass with new spicy ingredients.
Leave it up to a 19 year old from London, England to put out one of the very few albums in years to be true to the
Recorded in 1999 after the dissolution of Todd Sheaffer’s old band, From Good Homes, this performance predates Railroad Earth but stands as a document of Sheaffer’s nascent talents and burgeoning skills that play such a pivotal role in the RRE sound today.
Grown Backwards, stems from a “top down” approach to songwriting, with David Byrne developing melodies first and then figuring out which chords and structures best fitted his vivid imagination. It wasn
Weir Here is a two-CD retrospective, the first being a chronological journey through his studio work, the second a collection of essential Weir moments caught on stage. And yes, two full albums of Bobby tunes comes with more yelps, hollers and high-pitched screams than you can shake a pair of tight shorts at.
The songs might not be as catchy as those on his debut album, but On My Way exhibits Kweller
Recorded from their 2003 March run at New York
What do you get when two of the most melodically-gifted mandolinists get together? Into the Cauldron, a collaborative effort that seems almost Grammy worthy.
Scott McCaughey has been blazing pop and rock since the early 80
Toying from the past and fine tuning with the present, Gary Jules makes Trading Snakeoil For Wolftickets, an all-around winning work of songwriting and arranging that should not be missed.
