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Steve Kimock talks about the upcoming studio album, the DVD, the intonation of nature, and more.
Founding Gov’t Mule members Warren Haynes (guitar, vocals) and Matt Abts (drums) with now-permanent bandmates Danny Louis (keyboards) and Andy Hess (bass) performed Mule’s monumental 1,000th concert, Friday, April 16, at the Warfield Theatre in San Francisco.
The group proved what ten years and a thousand shows sounds like with a seamlessly tune-packed, blues-drenched opening set. The second began with what seemed like a simple appearance by bassist Phil Lesh on “Lay of the Sunflower.” But this soon turned into an unexpected all Dead set as drummers Mickey Hart and Bill Kreutzmann took up the unusual two-kit drum set-up, and guitarist Bob Weir and keyboardist Jeff Chimenti also took the stage. during “Cryptical Envelopment.” Gov’t Dead, so to speak, dealt a powerful serving of “The Other One,” Wang Dang Doodle,” Sugaree,” “Viola Lee Blues” and a “Turn on Your Lovelight” closer.
Only the Mule crew returned for an extraordinarily jammed-out third set, marked by legendary New Orleans funk group the Meter’s Zigaboo Modeliste sat in on Robert Johnson’s “32-20 Blues” and Neville Brothers’ “Fiyo on the Bayou.” The show ended the only way it possibly could — with a rousing version of “Soulshine.”
Gov’t Mule will continue to celebrate with a Tenth Anniversary two-night stand at New Orleans’ Orpheum Theatre on Friday, April 30 and Saturday, May 1.
While honoring the band’s massive history, Haynes, Abts, Louis and Hess continue to look to the future. The foursome is currently assembling the first Gov’t Mule studio album since the addition of Louis and Hess as permanent band members. It will also be the first release since the extensive guest-gathering Deep End series and the first proper band-based recorded effort since founding bassist Allen Woody’s passing August 26, 2000. The recording is scheduled for an autumn 2004 release on ATO Records.
Meanwhile Warren Haynes’ solo acoustic album, LIVE AT BONNAROO (ATO Records), which documents the entire 16-song set Haynes performed at the 2003 Bonnaroo music festival, will be released June 8, 2004. The release features Mule favorites “Beautifully Broken” and “Fallen Down” and some exciting covers, like the glorious version of Radiohead’s “Lucky” and a redefining interpretation of U2’s “One.”
The Cure has nailed down a June 22 release date for its 13th studio album. The as-yet-untitled set will be issued by Geffen via producer Ross Robinson’s I Am imprint, to which the Cure signed last year after parting ways with longtime label Fiction/Elektra.
The Robert Smith-led band will perform the album’s yet-to-be-revealed first single April 30 on NBC’s “The Tonight Show With Jay Leno,” the same day the quintet will be inducted into the Hollywood Rockwalk on Sunset Boulevard in Los Angeles.
Two days later, the Cure will headline the second night of the Coachella Valley Music & Arts Festival in Indio, Calif. A North American tour is expected to run from late July to September with several up-and-coming support acts clearly influenced by the Cure’s sound, but a spokesperson stresses the lineup and routing are still being finalized.
Source Billboard.com.
Simon & Garfunkel will return to the U.S. concert circuit this summer. The reunited duo has confirmed 19 shows, kicking off June 10 in Albany, N.Y., that will make up the second leg of its Old Friends tour.
As was the case with the first leg, the Everly Brothers will make a special guest appearance during the summer concerts. The 2003 shows found the Everlys turning out a nightly performance of “Wake Up Little Susie,” “All I Have To Do Is Dream” and “Let It Be Me,” and being joined by Simon & Garfunkel on “Bye Bye Love.”
Fans hoping to catch Simon & Garfunkel in their town a second time will most likely be disappointed with this round of dates. “They will play almost exclusively in markets where we have not gone,” Garfunkel’s manager, John Scher, told Billboard.Biz in January. At that time, Scher said a European tour is likely to follow the U.S. outing, and noted a Japanese tour was a possibility.
The 2003 Simon & Garfunkel outing grossed more than $55 million and played to 500,000 people across 32 concerts, according to Billboard Boxscores. It was the pair’s first major tour since 1983.
Here are Simon & Garfunkel’s confirmed tour dates:
June 10: Albany, N.Y. (Pepsi Arena)
June 11: Uncasville, Conn. (Mohegan Sun Arena)
June 12: Philadelphia (Wachovia Center)
June 16: Pittsburgh (Mellon Arena)
June 17: Buffalo, N.Y. (HSBC Arena)
June 19: Grand Rapids, Mich. (Van Andel)
June 20: Cincinnati (U.S. Bank Arena)
June 22: Nashville (Gaylord Entertainment Center)
June 23: Indianapolis (Conseco Fieldhouse)
June 25: Milwaukee (Bradley Center)
June 26: St. Louis (Savvis Center)
June 27: Kansas City, Kan. (Kemper Arena)
June 29: Salt Lake City (TBD)
July 1: Los Angeles (Hollywood Bowl)
July 2: Fresno, Calif. (Save Mart Center)
July 3: Las Vegas (MGM Grand Arena)
July 6: Dallas (American Airlines Center)
July 7: Houston (Toyota Center)
July 8: New Orleans (New Orleans Arena)
Source Billboard.com.
The future of The Simpsons may be in jeopardy if the most recent contract dispute between the show’s actors and Simpsons network Fox continues to simmer.
Six actors who provide the voices for dozens of Simpsons characters–Hank Azaria (Moe, Apu and Comic Book Guy), Nancy Cartwright (Bart and Nelson), Dan Castellaneta (Homer and Krusty), Julie Kavner (Marge), Harry Shearer (Mr. Burns and Smithers) and Yeardley Smith (Lisa)–are asking the network for more money. Currently, the stars make $125,000 per episode, and they’re looking for the powers that be to nearly triple that figure, to $360,000 per episode or almost $8 million a year for a 22-episode season.
Their other demand: profit participation, which is especially lucrative considering The Simpsons’ potential merchandising, syndication and DVD profits.
The group, which has banded together in the past to hit their bosses up for salary increases, kicked off the current brouhaha when they recently failed to show up for table readings for the show’s 16th season. Six episodes for the 2004-05 season, set to kick off post-baseball in November, are in the can, but the actors haven’t gone to the office for tapings in a month.
With negotiations still at an impasse earlier this week, Fox announced it would be forced to shorten the episode order for next season–which would definitely give fans a cow.
According to Yeardley Smith’s agent, John Kelly, however, Fox’s refusal to play ball with the actors is not just about money but is tantamount to a lack of acknowledgement of the actors’ contributions to the wildly successful franchise. Fox claims the figure is high, but the actors’ reps have estimated that Springfieldian saga has earned Fox and the show’s executive producers more than $2.5 billion since it debuted in 1989.
The Simpsons, the longest-running animated series in TV history, has averaged 11.5 million viewers this season. And, though that marks a drop of almost 2 million viewers from last season’s average, it’s still enough to make the series the cornerstone of Fox’s Sunday-night lineup.
Source eonline.com.
Madonna’s Maverick Records label, home to the Material Girl as well as Alanis Morissette and Michelle Branch, has lost $66 million since 1999, according to recently unsealed court documents filed by its adversary and partner, Warner Music Group.
The documents relate to the latest spat in the 12-year-relationship between Maverick and Warner Music, which was recently bought from Time Warner Inc. by an investment group led by Edgar Bronfman, Jr. Time Warner is also the parent company of CNN.
Last month, Maverick sued Warner Music for $200 million, claiming breach of contract and fraud. The Warner documents were part of a pre-emptive claim filed in a Delaware court asking a judge to find that the company had fulfilled its commitment to Maverick.
The documents claim that in order for Maverick to get out of its joint venture with Warner Music, which is up at the end of the year, Maverick will have to pay $92.5 million, in addition to the value of Warner’s interest in the label. The price tag includes the $66 million in losses, a $20 million loan and $6.5 million in unrecouped fees.
According to Warner Music’s filing, if Maverick cannot raise the money needed to buy itself out the joint venture, Warner can convert the label into a “purely passive economic interest,” taking all control of the label away from Maverick. In this case, Maverick would reap no profits from the label until the losses were repaid.
A Warner Music spokesman declined to comment. Maverick could not be immediately reached. The label is gearing up for the May 18 release of Morissette’s first album in two years, “So-Called Chaos.” The following week, Madonna begins a world tour in Los Angeles.
Source CNN.com.
