The Posters of Jon Kovach will be showcased as part of the Picturesque Photography & Gifts Art show starating November 12th in Pittsburgh, PA. In addition to poster art, Kovach works in photography, graphic design and video. For more information on his work, please visit his website.
With the likes of The Brian Setzer Orchestra and The Cherry Poppin
Built around Brian Wilson and lyricist Bert Parks’ hash affairs in the late 60’s. SMiLE[/o] was partially built and then tucked away with the psychological madness that would later haunt Wilson. As the follow-up to the iconic Beach Boys album Pet Sounds, SMiLE was to be the American Sgt. Pepper’s, a recording that set the standard for pop albums.
If the Sun Tangled Angel Revival
For over a decade the Jacob Fred Jazz Odyssey have been crisscrossing America, slowly but surely blossoming into one of the most visionary and fearless bands in improvisational music.
As a musician, Warren Haynes is infamous for his improvisational prowess and his spontaneous guest appearances. So it might seem odd that he becomes so darn reliable — and charitable — each holiday season.
For 16 years, Haynes has coordinated the Warren Haynes Annual Christmas Jam. Like a family reunion, the annual, one-of-a-kind, semi-structured marathon of music brings together old friends on stage and in the audience at the Civic Center Arena in Asheville, N.C.
This year the event will be held again at the Asheville Civic Center Arena, Saturday, December 18 at 7:00PM. WNCW’s Pre-Jam Jam Broadcast Live from the Orange Peel is on Friday, December, 17. Past Performers Include: The Allman Brothers Band, Alvin Youngblood Heart, Blues Traveler, Bob Weir, Derek Trucks Band, DJ Logic, Edwin McCain, John Hiatt & The Goners, moe., North Mississippi All-Stars, Phil Lesh and Friends, Phish’s Mike Gordon, Robert Randolph and The Family Band, Sam Bush, Sonny Landreth, String Cheese Incident’s Michael Kang, and Widespread Panic’s John Bell, Dave Schools & Todd Nance.
Haynes, who will open the evening with a brief solo performance, will perform with his band Gov’t Mule, and, of course, join many of the artists for spontaneous collaborations. But the impact goes far beyond the entertainment.
The show thrives on the generous support of volunteer talent and behind-the-scenes personnel, with post-production proceeds going to Habitat for Humanity. In 2002, Haynes received the Key to the City by Asheville Mayor Worley. The benefit event raised $70,000 for the organization, selling 7000 tickets. Prior to the 2003 concert, Haynes gave keys to a family for their new Habitat for Humanity home, which was constructed with funds from the 2002 concert. The 2003 event raised $100,000 – bringing the total for the last three years over $200,000.
“Christmas Jam started 16 years ago as an opportunity for local musicians to jam at the one time of year they were all in town at the same time. Back then, we gave the money to whatever charity we felt like. As the event grew and we became aware of Habitat For Humanity, we settled on them because we believe in the organization and know the money goes where its supposed to. When your work is music, its easy and fun to give back.”
Vintage rock trio Cream will reunite for a string of shows next year at London’s Royal Albert Hall, sources tell Billboard.com. The group — guitarist/vocalist Eric Clapton, drummer Ginger Baker and bassist Jack Bruce — played its final shows at Albert Hall before splintering in November 1968. Cream has not performed together since its 1993 induction into the Rock and Roll Hall of Fame.
Billboard.com understands the trio will begin rehearsals after the first of the year, with an eye on a week-long run of gigs at Albert Hall. It is unknown if plans call for additional shows in other parts of the world. A spokesperson for Clapton had no comment.
Source billboard.com.
A U.S. appeals court in San Francisco has handed a victory to pioneering hip-hop group the Beastie Boys in a dispute over the musical practice of sampling, in which recording artists incorporate snippets of other songs into their own work.
The 9th U.S. Circuit Court of Appeals declined today (Nov. 9) to reconsider its decision last year allowing the group to use a six-second segment of music from jazz flutist James Newton’s 1978 composition “Choir.” The Beastie Boys used the sample in their song “Pass the Mic” on their 1992 album “Check Your Head.”
A three-judge panel of the court held in 2003 that the band had abided by copyright protections by paying a license fee for a sample of Newton’s recording and therefore did not have to pay an additional fee to license the underlying composition.
That finding upheld a lower-court dismissal of the case in favor of the Beastie Boys, and the 9th Circuit today refused to reconsider its ruling before a larger 11-judge panel.
“We hold that Beastie Boys’ use of a brief segment of that composition, consisting of three notes separated by a half-step over a background C note, is not sufficient to sustain a claim for infringement of Newton’s copyright,” Chief Judge Mary Schroeder wrote in her opinion.
Representatives for Newton and the Beastie Boys were not immediately available for comment.
The Beastie Boys helped spark the modern sampling trend in popular music with the 1989 album “Paul’s Boutique,” which incorporated bits of music from sources as diverse as Johnny Cash, Bob Marley and the Beatles to create new music. Sampling has since become a staple of many artists, especially in the rap and hip-hop genres.
Source billboard.com.
