January 8, 2007

A Look Ahead from Bob Lefsetz

If you’re familiar with The Lefsetz Letter, you’re aware of the fact that this guy knows his shit, and he’s knows your shit. He’s the Roto Rooter of the music

Read More

On Your Radar Now: Jesse Sykes

Any of you Widespread Panic fans ever wondered what John Bell would sound like if he were a chick? That’d be pretty weird, but I bet someone has. Wonder no

Read More

A Greener New Jersey: A TLG Gallery

I’ve written about Tea Leaf Green coming to New York and flat-out flooring me so many times that I can’t even find a fresh angle with which to present the blistering 12/28 show at Mexicali Blues in Teaneck, New Jersey.

I guess I can talk about how I brought my snobby musician friend who previously had only unflattering adjectives to describe them, only to hear him whisper “I’m totally sold” a few songs into the proceedings. I can talk about the sweet, sweet venue and how it played the perfect host on a sold-out night. I can talk about the impossibly frenetic Wet Spot > Death Cake > Wet Spot that closed the first set, or the beautiful nod to the New York crowd in the wholly original Just Like Tom Thumb’s Blues cover, or the utter evilness and sheer nastiness emanating from Josh Clark’s guitar in Bouncin’ Betty.

TLGband2

Mostly, though, I left the Mexicali show elated that TLG had successfully restored my faith in the band after two fairly mediocre shows in October (Irving Plaza and The Vic). I had written after the CBGB show in April that “TLG gets hyperbolically better every time I see them. Tighter. Looser. More Confident. They’ve got the swagger now. They don’t take a night off. They don’t take a note off.”

But whereas I had begun to re-evaluate the above stream of thought after those two shows in October, I walked out of Mexicali Blues that night as committed to their present and their potential as I’ve ever been. This show proved exactly why this band is one of my favorite touring acts in the country today.

With my faith now restored, I can now in good conscience present this sick photo gallery from the show, courtesy of our crafty friend Ted Wong

Read More

Monday’s Hors d’Oeuvres

After a couple of short weeks, we’re back to the grind with a full week of action. Don’t think of it as more work, think of it as more Hidden

Read More

Neil Young and Crazy Horse: Live at the Fillmore East

Back when Neil was better known as the “Young” in Crosby, Stills Nash & Young, Neil delivered his pre-grunge outfit, Crazy Horse in all their earnest glory at New York City’s Fillmore East on March 6 & 7, 1970. Released as Live at the Fillmore East, this marks first release of the Young archives series.

Read More

Matthew Ryan: Human Touch (INTERVIEW)

"Here’s comes the razor of doubt, here comes the falling out,” Matthew Ryan sang on the opening track of his first album, May Day, released seven years ago. That particular song, “Guilty,” has summed up the majority of his feelings he has touched on since: living with the doubts that life deals you. Matthew Ryan isn’t a happy songwriter. He’s a human being.

Read More

View posts by year

Recent Posts

New to Glide

Keep up-to-date with Glide

Twitter