March 29, 2007

Warren’s All-Star Jam Emerges

I missed it. We all missed it. Unless you were there. In that case, you didn’t miss it, and from all accounts, you may not have a face anymore.

Thanks to this entity called “work,” I was stuck in our nation’s capital as Warren Haynes trotted out a smorgasbord of talent at Irving Plaza for his special Evil Teen Re-launch all-star jam last night. As we had hoped, and as we had feared (because, again, we missed it), the Allman Brothers played two songs on their off night from the Beacon, and Derek Trucks and Susan Tedeschi, Edwin McCain and the remainder of Gov’t Mule all showed up to rock the smallish house.

Warren
Looking as cool as Jesse Katsopolis

Our friend Jon Hochstat says it was so hot he’s “at a loss for words,” and he was kind enough to pass along the already uploaded torrent. Click here to download this memorable and obviously epic show that I fucking missed.

And read on for the full setlist from the evening…

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HT Baseball Preview: Ryan Stasik’s Pirates

In the most exciting baseball/music collaboration since MTV’s Rock n’ Jock, Hidden Track is kicking off our preview of the 2007 Major League Baseball season today. Over the first six months of our existence we have stayed completely focused on music. But Ace and I are just such big baseball fans that we wanted to tie our two passions together in an interesting way.

We have talked to a number of your favorite musicians about their love for America’s Pastime, and over the next few weeks we will bring you their thoughts on the upcoming season. And at the All-Star break and at the end of the season we will check back with these guys to see how things have turned out.

Today we start with an essay on being a Pirate fan by Umphrey’s McGee bassist Ryan Stasik. Stasik grew up as a diehard Pirate and Steeler fan in Pittsburgh. Here’s Ryan’s take on his beloved and dreadful Bucs prospects for 2007…

Where to begin is the question when you have witnessed every season go under .500 since the days of Bonds (beat it), Bonilla, and my hero Andy Van Slyke in 1992. Well, let’s start with hope since we finished the second half of the ’06 season over .500 and out of the cellar in the NL Central by a game to the Cubs. What a day it is to brag about your team being better than the Cubs!

Here we are again ready for a new season and living in Chicago I am able to breathe that hope in the air for those dreadfully cursed Cubs and their fans, yet I am a realist and know both our teams will blow it! The Pirates by playing like a high school team bountiful of errors and mental mistakes, and the Cubs by injuries and long lasting slumps.

Read on for Ryan’s full preview of the Pirates upcoming season…

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Trey To Be Phil’s Friend Again?

Earlier this week we announced the return of music’s biggest dork: Phil Lesh has been nursed back to health and he’ll play two shows at SOB’s in New York. But

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Hot Carl Loves the Music “Ratdog”

Asheville, North Carolina city councilman Carl Mumpower was granted free access to Friday night’s RatDog concert, and he shared some astute observations with the city manager. Kick down to get

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10KLF Makes Some Additions, Eh?

Want some Canadian lovin’ in your Minnesota summer? The 10,000 Lakes Festival today announced the addition of some more bands to the lineup, including our northern neighbor’s heroes, The Tragically

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Bored? In NYC? Ride the Synth New Wave

I must admit up top, Jupiter One doesn’t exactly jive with the rest of the music we regularly feature on this here blog. Nonetheless, tonight at the Mercury Lounge this

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Tegan and Sara Plan 5th Album Release

The long-awaited fifth studio album by Tegan and Sara is scheduled for a July 24th release on Vapor/Sanctuary Records. Co-produced by Christopher Walla (Death Cab for Cutie, The Decemberists) with

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Loney, Dear: Loney, Noir

With a title and a band name like Loney, Dear, you wouldn’t be remiss to expect some severe wrist-slit baroque morbidity along the lines of Portishead.

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Benevento, Mathis & Dillon: Knitting Factory, NY, NY 3.9.07

As always, Benevento ranged across the keys, exploring melodies, harmonies and healthy doses of dissonance with equal skill and abandon. In the middle, Mathis anchored the sound, keeping the pace as Benevento and Dillon jockeyed for position. A consummate bass player and musician, Mathis served as the glue for the shape-shifting drums and keys.

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