November 26, 2007

You Know What We Need? More Reunions, and Preferably Ones That Will Crash and Burn

It looks as if the Jackson 5 may reunite for what may potentially be the biggest source of Grade-A music-blog fodder since Radiohead “pulled a Radiohead.”

Oh the Humanity


Jermaine’s talking, and he claims the talented one will be involved in some role:

Michael will be involved. We want to tour. We want to touch the lives of everybody who’s bought our records and supported us. It will probably start here first, but it will be sometime in 2008. That’s our plan.”

Our guess is Michael will want to touch more than just lives…we’ll let you know if “scrumptious boycock” is featured prominently on the tour rider. Eh, too easy.

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Picture Show: The Hold Steady @ Terminal 5

We spent much of our Thanksgiving week hearing about how the pre- and post-holiday tradition of sandwiching live music around a delicious turkey may finally be dead. But sucks to your assmar, pessimistheorists, New York hosted a veritable shitload of live shows from Wednesday through Sunday, providing venues all over the city for hippies and hipsters alike to catch a wide variety of genres.

HS


Your trusty Hidden Track sherpas caught three of these New York holiday shows, one taking in The Duo and Mocean Worker‘s awesome show at the Music Hall of Williamsburg before Thanksgiving, one catching RAQ at the Highline Ballroom on Saturday. And our main man Danfun headed over to the West Side’s Terminal 5 for The Hold Steady and Art Brut on Wednesday night.

Shane over at our corporate parent, Glide Magazine, reviewed The Hold Steady + Art Brut show in Phoenix two weeks ago, so head over here if you’re looking for words to compliment these fine, fine photos. Otherwise, read on after the jump for Danfun‘s view of the proceedings in New York’s newest big venue.

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Monday’s Hors d’Oeuvres: Too Good a Cover?

If you’ve ever played Guitar Hero you’ve probably noticed the creepy “Oh, sure, this sounds just like the original” cover versions the games often use. Activision tries to save some cash by securing the rights to use a cover of the tune instead of ponying up for the original recording. The cover versions have been coming closer and closer to the originals with each new edition of the game.


Now The Romantics are suing Activision for using a cover version of What I Like About You that sounds a little too close to the original for their comfort. Believe it or not, The Romantics may have a good case. Artists such as Tom Waits and Bette Midler have won previous lawsuits claiming cover versions of their songs were too close to the originals. Read more about the lawsuit here as we move on to check out some of the other stories from the weekend:

Finally, My Bloody Valentine plans to “do a Radiohead” with their new release. Great, so there’s more fuel for the Radiohead superiority complex.

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John Fogerty: Revival

On John Fogerty’s new album Revival the ex-leader of Creedence Clearwater Revival acknowledges the brilliance of his past work rather than deny it. But the wry likes of “Creedence Song” notwithstanding, an air of self-consciousness pervades the album, which begs the question of whether Fogerty’s embrace of his past now overcompensates for that period he boycotted it over twenty-years ago?

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Galactic – Goin’ House to Corner (INTERVIEW)

The Galactic album that became From the Corner to the Block was originally going to be all-instrumental, and in its initial stages was a little loose on concept. That was two years ago, when the band found itself on tour with Bay Area emcee Lyrics Born as the opening act and nightly sit-in guest, and was really enjoying itself as it figured out the next direction.

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The Radishes

The Radishes are a San Francisco/Los Angeles based band with an attacking sound that has been described as Nirvana meets Motorhead. Although musical comparisons are easy to come by, cocalist/guitiarst Paul Stinson likens it as White Stripes meets the Stooges meets NIN. Not too shabby. Toss in the Radishes fiery vocals and their ominous song-writing with loads of pop, punk and metal, and you have an act that could be headlining the big festival stages if they weren’t doing it the small “Do It Yourself” route, in part due to Stinson's self admitted "laziness."

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