With the Summer Of Jam continuing to take shape, today comes news of the initial lineup for the Disco Biscuits’ eighth installment of Camp Bisco. Camp Bisco VIII takes place
With five years between his last two studios albums it came as a bit of a surprise to most that Bob Dylan slyly announced the release of the follow up
The other day a friend of mine asked if I could point him in the direction of good clips from Phish’s Hampton run on YouTube. In looking at that site
We started with sixteen past Cover Wars winners and now we’re down to just two.
And the finalists are: Jerry Garcia & David Grisman rendition of Sitting In Limbo, and Mr. Blotto’s cover of 50 Ways To Leave Your Lover.
You’ve got to READ ON to get to the final round of voting. Thanks to everyone for their energetic participation in the tournament. Next Tuesday we will reveal the winner and also get back to new editions of Cover Wars every week.
Otis Redding – Can’t Turn You Loose
The jazz standard cover is an interesting animal. To a band, the jazz standard is a direct reflection of a musical education, an homage to a master, a change of pace, a view into a particular time in history and a chance to shake loose and get weird. Unfortunately, to many a fan, it’s a bathroom break.
The roots of a great deal of our favorite jamband, progressive rock, funk, hip hop, vocal, and bluegrass artists are steeped in jazz, so it’s no wonder that so many of the bands we talk about ’round here enjoy breaking out a jazz standard from time to time, but as a collective fanbase, we could perhaps pay a little closer attention. So, today we celebrate some great jazz standard bust outs across the board.
“When the music changes, so does the dance.” – African Proverb
Derek Trucks Band – My Favorite Things
At its core, the version of Rodgers and Hammerstein’s My Favorite Things that John Coltrane popularized, isn’t a complex jazz standard. Yet, the modal nature of the song – using notes within the mode as the basis of the song rather than specific chord progressions, thus essentially making any combinations of those notes all fit the harmony (or something) – allows the musicians to essentially go bananas, making it particularly interesting to compare various versions. Derek and his band take their version here to new heights, adding soaring leads and colorful note combinations to the famous melody.
READ ON for more jazz standards interpreted by jambands…
Outformation will release their newest album, “Fastburn,”, the Atlanta-based band’s follow up to their 2007 release, “Traveler’s Rest”. Guitarist/vocalist Sam Holt says, “We didn’t have a plan making this record,
The South Memphis String Band, a trio composed of Luther Dickinson (North Mississippi Allstars), Alvin “Youngblood” Hart (Grammy-winning bluesman) and Jimbo Mathus (Squirrel Nut Zippers), launches its first tour on
The Disco Biscuits have confirmed the first round of performers slated for Camp Bisco VIII, the eighth annual three-day music and arts festival in Mariaville, New York this July 16-18,
Modern indie rock troubadours that sound weary, but not angst-ridden, and tender, but not twee are a rare breed, indeed, and that's probably why Matthew Houck has in the time since his 2000 debut as Fillup Shack ("Hipolit") become a connoisseur's choice in the genre.
