January 2011

Video: Destroyer – Kaputt

Dan Bejar may be best known as the wild haired, quirky voiced member of the The New Pornographers, but in addition to his work with the Canadian indie-pop supergroup, Bejar

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F4tF: The Chicago Hot Dog Trip, Pt. 2

Last week I recollected a 24-hour trip a couple of friends and I took in April 2009 for my posting F4tF: The Chicago Hot Dog Trip, Pt. 1. This week, I bring you day two of this whirlwind trip.


We knew going into day two that time was of the essence as our first stop of the day was Hot Doug’s.  Being that Hot Dog’s has unique hours (Open Mon-Sat 10:30AM-4PM) and has a reputation of getting busy from the second the doors open until 4:30PM when they close, our goal was to get there as close to 10:30 as we possibly could.


True to form, when we got there around 10:35AM, there were already eight or nine people in line ahead of us.  You can always find Doug Sohn (the Doug of Hot Dougs) working the register, engaging his customers and overseeing the kitchen, all without having to move from his one spot.

READ ON for more on Jon’s Chicago Hot Dog Trip…

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PJ Harvey: Let England Shake

It’d be easy to file Let England Shake as a political missive—an accessible but dense album of musings about the state of our world through the lens of Harvey’s home country England. Yet, PJ Harvey’s continual (and in many ways insatiable) desire to reinvent both her persona and music make classifications exceedingly difficult. She does not seek to push the limits of her catalog but wholly redefine it, experimenting with vocal techniques, varied instrumentation or poetic structures that both destabilize her oeuvre while creating new spaces in which to exist.

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Widespread Panic @ Summer Camp

The promoters of the Summer Camp Music Festival have brought out a “big gun” to perform at this year’s festival – jam titans Widespread Panic. This will mark Panic’s first

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B List: 10 Best Songs About Trains

[Originally Published: November 5th, 2010]

We welcome back an amazing writer, Sam Davis of Dog Gone Blog and Relix, who compiled a B List detailing his favorite songs about trains…

Railways and trains are so deeply rooted in the fabric of American music culture to the point where “train” songs actually predate recorded music. Whether it was the songs sung by the railway workers in the late 1800’s or the railcar songs sung by the freighthoppers during the Great Depression, trains came to symbolize the journey and the American working class.


It’s no exaggeration to say that the blues was literally born from the railroad tracks. It was at a train station in Mississippi where the “Father of the Blues” W.C. Handy discovered the sounds that led him to compose some of the the very first blues songs such as the famous Memphis Blues. Blues music and its musicians developed a strong connection to the trains, heard in timeless blues classics such as Rock Island Line, Freight Train and Midnight Special.

Countless blues and rock musicians have been inspired by the train, and there is an endless list of songs with themes surrounding this topic. For today’s B List, I’ve attempted to crack into that list to pull out ten of the best “train” songs. I hope you enjoy.

10. The Yardbirds – Train Kept A Rollin’

This was perhaps The Yardbirds biggest hit, and was one of the first songs to carry the blues train theme over to the rock world. It was originally written by Tiny Bradshaw, Howard Kay, and Lois Mann and was first performed by Tiny Bradshaw’s Big Band in 1951. This version features Jeff Beck, who uses his guitar to recreate the sound of a train’s whistle.


READ ON for the top nine songs about trains…

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Video: Ween – Heart Shaped Box

Ween continued its swing through the Pacific Northwest last night in Portland and once again the band proved they’ve gotten their groove back after Monday’s “incident.” At the Portland show,

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Steel Cut Oats #7: A Mile High in ’73

Last year we shared a few compilations of classic Grateful Dead shows put together by longtime HT reader Joe Kolbenschlag. We were overjoyed to find Joe’s latest Steel Cut Oats compilation in our inbox this week and wanted to share this 37-track set from a pair of 1973 shows in Denver…

Steel Cut Oats : Volume VII : A Mile High in ’73
Grateful Dead, November 20th and 21st, 1973, Denver Coliseum, Denver, Colorado

One of my all-time favorite live performance periods from the Grateful Dead is Fall 1973 – specifically, the shows beginning October 19th and running through December 19th. Those two months offer an overabundance of the X-Factor that quite possibly was never matched again for that long of a time frame. The noted bookends above have been officially released as part of the Dick’s Picks series (10.19.73, Oklahoma City, OK – Volume #19, 12.19.73, Tampa, FL – Volume #1), and several other shows have also been liberated to the masses in their two-track form by GDM/Rhino – all are worth seeking out.


Steel Cut Oats #7 focuses on the most glaring omission from a release perspective – the two stunning shows of November 20th and 21st from the Denver Coliseum. I would argue that these two gigs carry more collective fireworks than any of the other multi-night runs of the Fall – St. Louis, Winterland, Boston, and Tampa all cart excellent passages along the way, but these Denver shows really smoke from front to back. Oats #7 illustrates a band riding an incredibly high peak of performance – after five excellent home state shows in early-to-mid November (Winterland x3, San Diego, Los Angeles), the band begins to move eastbound for the duration of the year. The first stop is the Denver Coliseum…

The opening portion of this compilation concentrates on first set material that had become classic live staples of the Dead’s Americana vision – Ramble On Rose, Jack Straw, and Tennessee Jed to name a few. The set is also sprinkled with a particularly feisty Big River and a wonderful, but ‘not quite Tampa’ version of Here Comes Sunshine – still very powerful, yet slinky at the same time.

READ ON for more of Joe’s thoughts on SCT #7 and a tracklist…

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Last Week’s Sauce: January 17th – 23rd (Mayan Holidaze Edition)

There was plenty of live music last week that didn’t take place in Mexico at Mayan Holidaze, but since the taper Z-Man supplied more than enough material to dedicate this entire piece to this festival, I thought why not? We’ve got audio and video from 30db, the rarely taped act The Album Leaf, a 30+ minute segment from the Disco Biscuits, a tune from STS9’s “axe the cables” acoustic set, and an Umphrey’s McGee staple translated into Spanish.

If you don’t want to stay on the site for an hour streaming the individual tracks, you can download all of this week’s audio in one easy to listen to MP3 that we call the Last Week’s Sauce Podcast, click here to download.

30db – Liar, The Good Times Are Killing Me
Date & Venue: 2011-01-21 – Now Sapphire Resort – Mayan Riviera, Mexico
Taper & Show Download: Z-Man

Our first segment of music is Liar from 30db’s 2010 album One Man Show followed by the set-closing cover of The Good Times Are Killing Me by Modest Mouse. While Brendan Bayliss and Jeff Austin already have plenty of tour dates on the books with their primary bands, 30db doesn’t have any future scheduled dates. They are both scheduled to play at Summer Camp 2011, perhaps that will be the host of the next 30db gig.

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/mayan30dbsauce.mp3]

Wilco’s Handshake Drugs earlier on in the set:

READ ON for tracks from The Album Leaf, tDB, STS9, and Umphrey’s…

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BG: Newport Folk & Jazz Go Non-Profit

Earlier this week, organizers of the famed Newport Jazz and Folk festivals announced that they would be returning to their roots to once again become non-profit events. The granddaddy of

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