black keys

Bloggy Goodness: U2 + Danger Mouse

With Bono fully recovered from back surgery that forced U2 to postpone their North American tour, the Irish rock band has announced plans to head back into the studio to

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The Black Keys: Central Park Summerstage, New York, NY 7/27/10

Past tours and live offerings have found the group blasting out hard rocking/white boy blues, but tonight found them more confident, easing back and letting the songs (especially those played as a four piece) speak for themselves.  This came with a sacrifice of their metallic aggression and urgency but it is hard to argue with the quality of the Brothers tracks.

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Tour Dates: Spin Celebrates 25 Years

While traditional print media seems slowly to be going the way of the 8-track, we’re happy to note that Spin Magazine is in the midst of celebrating its 25th Anniversary.

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Best Of Bonnaroo 2010 On The Net

The ninth annual Bonnaroo Music & Arts Festival kicked off Thursday afternoon. As we hit the midpoint of the festie we thought we’d take a peak at what’s been going

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BG: Black Keys + MCs = Blakroc

While the members of The Black Keys are both busy touring with their solo projects this fall, the Akron-based act did manage to make their way into the recording studio

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Tour Dates: Down On The Farm

After a spending three years inhabiting venues across the mighty Northeast, Farm Aid will once again return to its roots with a show in the Midwest at the Gateway City

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Review: Black Keys vs. Dan Auerbach

With The Black Keys and Dan Auerbach each hitting stops in the greater Maryland/Washington D.C. region last month, it only seemed appropriate to stack the two shows against each other – Auerbach’s main gig vs. his side gig, Baltimore, MD vs. Washington D.C., duo vs. ensemble.

[All Photos By Zachary Herrmann]

So, what better way to compare the two than with a Battle of the Bands? We’ll tally up points for each round, and, at the end, crown a winner. Let’s see how Auerbach fared against Auerbach.

CORE BAND:

With The Black Keys, you know exactly what you’re getting: two dudes, a guitar, a drum kit and a lot of noise. The Akron, Ohio twosome has been doing its dirty, bluesy, garage rock thing for the better part of the decade and – after last year’s brilliant Attack and Release – is in perhaps its creative height.

Dan Auerbach’s backing band for his first solo tour behind last month’s Keep It Hid was more of an uncertainty. We knew going in that Texas upstarts Hacidena – whose 2008 album, Loud Is the Night was produced by Auerbach – would be backing Auerbach, but we didn’t know My Morning Jacket drummer Patrick O’Hallahan would be joining in on added percussion. The Feb. 28 show was the band’s first live performance (something Auerbach noted early on) and this new, six-piece gave Auerbach more room to breathe than he’s ever had with The Black Keys. With two drummers, a bassist, keyboards and a rhythm guitarist to back him, Auerbach was able to focus on his vocals and his leads, with a full band to fill the space in between.

READ ON for the rest of Rudi’s comparison of Dan vs. The Keys…

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The Black Keys : Live At The Crystal Ballroom

This is a no-frills DVD from the no-frills Akron, Ohio duo. We catch them in their live element and thus fans will rejoice and haters will not be swayed.  The Black Keys play a compact set that – encore included – just breaks the hour mark, no guests, and no major surprises, just straight ahead white boy blues/hard rock.  Dan Auerbach shaggily fires off riffs and vocal grunts on fan favorites “Stack Shot Billy” and “10 am Automatic” and drummer Patrick Carney crushes his foot pedal into dust on the thunderously jammed out “Busted”.    The sound is excellent here with Carney’s floor tom vibrating through the screen while the fluid segue between “Set You Free” and “ThickFreakness” screeches.  In the end, no doubt there is fiery playing however, there just doesn’t seem to be much variety and the set ends up feeling like one long song.    Visually the direction and the lights are major players, Lance Bangs who uses more tight shots and close-ups to accentuate Auerbach and Carney than wide stage shots, a few crowd pans are tossed in, as well, to break it up.  The editing was heavy, but not hyper-spastic – a mixed bag overall.  The lighting, on the other hand, is flawless and inventive, cascading over the sold-out house, playing havoc with lenses and creating fantastic visuals, Mike Grant should be commended for his work here.    There are only a few extras, three “official” music videos, some behind-the-scenes-footage, as well, but the live set is why fans are buying it, especially if they caught the Keys on this tour.  It will definitely stay in the collection but this effort would seem to play better as a background disk at a party than a sit-down-to-be-studied concert film.   

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Superfly Announces Slate of Jazzfest Gigs

As usual, Superfly Productions will present a series of concerts at a number of New Orleans venues during Jazzfest. The cleverly titled 2009 Superfly during Jazzfest concert series has just been announced.

READ ON for more details and a full list of performances…

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