Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
New Orleans Musician Lynn Drury Finds Dockside Inspiration For Lively New LP ‘High Tide’ (ALBUM PREMIERE/INTERVIEW)
Stephanie Lambring Gives Indie Rock and Americana Soundtrack to Confessional Songwriting on ‘Hypocrite’ (ALBUM REVIEW)
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
John Fred Young Of Black Stone Cherry Serves Up Another Round of Candid Hard Rock Insights (INTERVIEW)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
‘Color Out of Space’ Masters Lovecraftian Weirdness (FILM REVIEW) James Roberts January 24, 2020 No Comments Richard Stanley’s return to feature film accomplishes the impossible. Read More
Stephanie Lambring Gives Indie Rock and Americana Soundtrack to Confessional Songwriting on ‘Hypocrite’ (ALBUM REVIEW) Read More »
Humbird Weaves Righteous Experimental Folk at Manhattan’s Groove In Greenwich Village (SHOW REVIEW) Read More »
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW)
New Riders Of The Purple Sage: ‘Hempsteader – Live At The Calderone Concert Hall, Hempstead, New York, June 25, 1976’ (ALBUM REVIEW)