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Pullin’ ‘Tubes: Kind Of Blues

In a recent issue of Rolling Stone, the venerable music magazine did something that caught me a bit by surprise, as they dedicated their lead album review to The Bright

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Review: DMB Caravan – Chicago

Dave Matthews Band Caravan @ Lakeside Chicago – July 8-10

The Dave Matthews Band’s roving music festival Caravan made its second stop at Chicago’s Lakeside on July 8 – 10. The festival featured 38 bands spread over three days and three stages, and the Dave Matthews Band (DMB) closed out each night with three-hour performances. For DMB fans I am sure the experience was heavenly; as for the rest of us Caravan was exhausting, yet it had its perks. I was drawn to Caravan for primarily two reasons: The Flaming Lips were performing The Dark Side of the Moon and the festival was at a new, never-before used site on the south side of the Windy City.


Chicago geography is strange in that one side of the city may as well be a different state from the other. Those who live anywhere north of the Loop, aka downtown, rarely venture south of the Loop and vice versa. Caravan was stationed at an old U.S. Steel Plant near 83rd street off Lake Michigan, roughly nine miles south of downtown. The festival’s location was a great tactic to draw life and money into the under served community.

Initially I was pumped about Caravan; Flaming Lips and a south side adventure! Being a Chicagoan I tend to travel by bus or train. The press release for the festival read “easily access Lakeside” by public transportation. Alright, sounded easy enough. The first red flag was when I Googled directions, the site did not register on the map. Weird, but no problem, I thought. I would just hop on the train and hope for the best. The second red flag raised when it took me two to three hours each way to get to and fro the grounds. I participated in a pilgrimage revolved around a band I did not necessarily care for.

READ ON for more of Allison’s take on DMB Caravan Chicago…

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All Good Diary: Saturday FestivalLog + New Artist Fletcher’s Grove Spotlight

I made a point of getting up early on Saturday morning of the 15th Annual All Good Music Festival to catch some of the local talent at the Grassroots Stage. Having been told by numerous local media sources that they were a hot ticket, I made a point of seeing a bit of Fletcher’s Grove from nearby Morgantown. As usual, I was not as quick making the trek as I’d hoped and arrived about halfway through the fledgling jamband’s first set, just as they were finishing a very strong cover of Buddy Holly’s classic Not Fade Away.


The next few songs in the quintet’s inaugural All Good set proved once again that festivals are a great place to check out fresh talent. See more about Fletcher’s Grove in the All Good New Artist Spotlight below. As local favorites, Fletcher’s Grove brought a sizable audience to the campground stage that quckly cleared after their set. I waited around to see a bit of Chicago’s Lubriphonic whose funk and horns also proved danceable and fun, although it was a shame there wasn’t a larger audience.

Opening the main stage on Saturday was self-contained band Zach Deputy whose soulful vocals and looping guitar and beat lines made for a more relaxed set under the West Virginia hills’ intense mid-day sun. After Deputy, I caught only the first couple of songs by The Werks (which the audience seemed to enjoy) and headed back to the Grassroots Stage to see Michigan’s Greensky Bluegrass, where they performed only bluegrass covers of rock songs including Traffic’s Light Up or Leave Me Alone, Talking Heads’ Road to Nowhere, Arcade Fire’s City With No Children and Prince’s When Doves Cry.

READ ON for more thoughts and photos from Saturday at All Good…

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