Atlanta’s Shaky Knees Announces Stacked Lineup Including Foo Fighters, Dinosaur Jr, and Interpol For 2024 Festival
Merge Records to Reissue Two M. Ward Classics (Duet for Guitars #2, Transfiguration of Vincent) On Vinyl
LISTEN: Jon Batiste Releases Stirring New Ballad ‘It Never Went Away’ Ahead of Global Documentary Premier
The Feelies’ Bill Million Reflects On Their Velvet Underground-Themed First Live Album ‘Some Kinda Love’ (INTERVIEW)
Jazz Great Chico Hamilton’s Aptly Titled 1973 Album ‘The Master’ Gets 50th Anniversary Reissue for Record Store Day: Black Friday (ALBUM REVIEW)
The Record Company, Duane Betts, Sugaray Rayford, GA-20 Meet Up at Los Angeles’ Regent Theater For Smokestack Lightnin’ (SHOW REVIEW)
2023’s Grateful Dead ‘Meet Up At The Movie’ Brings 6/22/91 Solider Field To The Big Screen (FILM REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
SONG PREMIERE: Forest Ray Dwells On Mundate Realities Of Life With Fuzz Psych-Rocker “Nickles and Dimes”
Warren Haynes Talks New Gov’t Mule Chapter, His Favorite Mule Albums & Writing More Songs (INTERVIEW)
The Glide 20- Glide’s 20 Best Album for 2023 – Mikaela Davis, Cory Hanson, Duane Betts, Genesis Owusu, Wednesday, shame & More
Ambient Composer Anthony Pirog Celebrates New LP ‘The Nepenthe Series, Vol. 1’ and Selects His Top Washington D.C.-area Record Stores (VINYL LIVES)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
SONG PREMIERE: Forest Ray Dwells On Mundate Realities Of Life With Fuzz Psych-Rocker “Nickles and Dimes”
SONG PREMIERE: Latingrass Duo Larry & Joe Get in the Christmas Spirit with Playful Rendition of “Mi Burrito Sabanero”