The night of Wednesday, April 29, BADBADNOTGOOD played an exploratory and hypnotic sold-out show at Denver’s Summit Music Hall, the last stop of a short U.S. tour. The day of, BBNG stopped by local independent Denver-Boulder area radio station KGNU for an interview before chowing down at the Colorado-based burrito bistro Illegal Pete’s. Filled with […]

Fishbone, founding fathers of the ska/punk/funk/metal genre, were built for times like these. Across four decades, the LA-based band that launched an army of “Fuck Racism” T-shirt-clad kids has sung about everything from nuclear anxiety (“Party at Ground Zero”) and government overreach (“Subliminal Fascism”) to the poverty cycle (“So Many Millions”) and, more recently, the […]

The Queens of the Stone Age aren’t playing it safe for the fair-weather fans on their current tour. Instead, they’re leaning into their theatrical side with the closest thing to a rock opera we can expect from a band that continues to evolve nearly thirty years in. The band is currently in the midst of […]

This past Saturday (April 25th) in Las Vegas, a (fittingly) gray overcast sky greeted the tens of thousands of black-clad/angst-inclined humans that descended in droves upon the Las Vegas Fairgrounds. Which, of course, could only mean one thing: the annual Sick New World Festival was clearly back in town! Indeed, after taking a brief hiatus […]

Hot off their much-buzzed-about appearances at Coachella, North Carolina rock outfit Wednesday descended on Portland, Oregon, for two sold-out nights at Revolution Hall on April 21st and 22nd. The band is no stranger to this city, having wowed Pickathon Music Festival in 2023 and subsequent shows that have only fueled their fire. By the time […]

Calling PussyCake (2021) a rock ‘n’ roll movie is a bit like calling Friday the 13th a movie about summer camp. It misses the point. PussyCake embodies the spirit of the music. The horror movie—firmly entrenched in the grindhouse tradition—is the story of an all-female rock quartet: the titular PussyCake. And if you can’t guess […]

Before the private jets, the billion-dollar hospitality empire, and the globally recognized shorthand for coastal escapism, Jimmy Buffett was, in the words of guitarist Roger Bartlett, “a mere mortal.” Bartlett was the first-ever member of the Coral Reefer Band, and he is one of many past Buffett collaborators to speak in Occupational Hazard: The First […]

The satirical romp Josie and the Pussycats (2001) is a fun movie. But is it a great rock ‘n’ roll movie? Eh, not so fast on that second one. Welcome back to Glide’s quest for what makes a good rock ‘n’ roll movie. Last month, we looked at Almost Famous, a great launching pad because […]

A good rock ‘n’ roll movie remains a tough prospect. Why? It’s a question that has remained elusive for years, and for 2026, the rabbit hole beckons. That’s why, coming to you from the screening room at Glide Magazine HQ, we’ve decided to do a bit of research. Every first Friday of the month, we’ll […]

Rating C+ The thing about Paul Thomas Anderson is that his talent is so great that even his bad movies are, well, pretty good. His technique and craft are such that his worst movie still has plenty worth noting and considering. Inherent Vice was, by most accounts, not a great movie. And yet there was […]

The Blu-Ray release of A Quiet Place II is a lot like the film itself–inconsequential.

The legendary house of schlock celebrates some less revered works in this stunning box set.

A stunning new transfer allows you to see the Kubrick classic like never before.

One of the year’s most surprising treats comes home for the holidays.

The transfer is glorious but the lack of special features disappoints.

As a longstanding professional musician, Greg Anton knows full well the archetypes of that universe as well as their attendant cliches, which, like most truisms, actually contain kernels of truth. Accordingly, he has no qualms about turning the platitudes inside out and on their head during the course of unreeling his fictional story of disputed […]

The efficiency of Bradley Morgan’s U2 Until The End of the World belies its heft. In the 240 pages of the 11″ by 9″ hardcover, the author provides a fairly thorough chronicle of the mega-successful Irish band’s history, without any overt agenda or slanted editorializing. And while the writer doesn’t delve too deeply into the […]

The smiling visage of the late Richard Manuel that adorns the dust cover of Stephen T. Lewis’ biography belies the sorrowful tragedy of the musician’s life. And intentionally or not, the author’s narrative follows the ups and downs of the man’s troubled existence.  As a result, the clear-eyed insights Lewis offers are worth the effort […]

Mike Campbell might just be the most humble musician in rock music. As guitarist for Tom Petty And The Heartbreakers, he has co-written some of the most iconic American rock songs of his generation (“American Girl,” “Running Down A Dream,” “Refugee,” “Here Comes My Girl”). He served in one of Bob Dylan’s backing bands, he […]

“Ed’s talent was an asset, not just to me but to him. It was an asset to our band; this thing that was bigger than us would be the vehicle for all of our dreams. Of course, the band was more or less imaginary at this point, but if Ed could play guitar like that, […]