News

Iceage Return With Sixth Studio Album ‘For Love of Grace & the Hereafter’

Iceage Return With Sixth Studio Album ‘For Love of Grace & the Hereafter’

Iceage has announced their sixth studio album, For Love of Grace & the Hereafter, will be out May 29th via Mexican Summer and will release the new single “Ember” that can be heard below. Produced and mixed by the band and Nis Bysted, For Love of Grace & the Hereafter is Iceage’s tightest album to date, even glossy at times, but not tight enough to dull […]

New to Glide

Rachel Lime Expands Her Sonic Reals With Electronic Art-Pop Microcosms on ‘STORIES’ (ALBUM REVIEW)

Rachel Lime Expands Her Sonic Reals With Electronic Art-Pop Microcosms on ‘STORIES’ (ALBUM REVIEW)

Escapism is a fickle beast to control. When used properly, it can serve as a meditative retreat in your day-to-day life when a minute is all you need, but when it overtakes you, you become distracted and detached from your sense of reality. For Rachel Lime, the singer/songwriter/producer, time seems to be suspended in her […]

Interviews

Cosmic Country & Retro Soul: The Musical & Real-Life Partnership Of Pearl Charles and Michael Rault (INTERVIEW)

Cosmic Country & Retro Soul: The Musical & Real-Life Partnership Of Pearl Charles and Michael Rault (INTERVIEW)

Pearl Charles and Michael Rault are a fascinating couple. They met via a mutual friend back in the summer of 2019, while Charles was recording her album Magic Mirror, with Rault flying in from Montreal to hang out and add some guitar. What started as a friendship grew into a musical and romantic relationship, and the two […]

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Ryan Solee of The Builders and The Butchers Dances in The Wreckage of ‘No Tomorrow’ (ALBUM PREMIERE/INTERVIEW)

Ryan Solee of The Builders and The Butchers Dances in The Wreckage of ‘No Tomorrow’ (ALBUM PREMIERE/INTERVIEW)

Portland-based band The Builders and The Butchers will be releasing their new album, which marks their seventh, on April 3rd, via Badman Recording Co. It’s titled No Tomorrow, and as the title might suggest, it has plenty to do with the current apocalyptic feeling of existence. And yet, within the fiery imagery and doom, there […]

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Evil Twin Bring Live Rock Experimentation Into The Studio For Debut Album ‘Upside Down We’re Flying’ (INTERVIEW)

Evil Twin Bring Live Rock Experimentation Into The Studio For Debut Album ‘Upside Down We’re Flying’ (INTERVIEW)

Brooklyn-based Indie Rock band Evil Twin released their debut full-length album, Upside Down We’re Flying, on March 13th, following on from an EP and the release of several singles. It draws on a love of multiple 90s music genres and creates an immersive atmosphere you might associate with psych rock while experimenting with song structure. […]

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Aubrie Sellers Finds Power in the Quiet: Attachment Theory and the Art of Being Raw (FEATURE)

Aubrie Sellers Finds Power in the Quiet: Attachment Theory and the Art of Being Raw (FEATURE)

Aubrie Sellers has never mistaken volume for truth. In a music industry that often rewards bold personalities and constant visibility, Sellers has built her career in a quieter, more deliberate way—one shaped as much by introspection as instinct. It hasn’t always been easy. But it has led her to Attachment Theory, a record that may […]

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Rachel Lime Expands Her Sonic Reals With Electronic Art-Pop Microcosms on ‘STORIES’ (ALBUM REVIEW)

Rachel Lime Expands Her Sonic Reals With Electronic Art-Pop Microcosms on ‘STORIES’ (ALBUM REVIEW)

Escapism is a fickle beast to control. When used properly, it can serve as a meditative retreat in your day-to-day life when a minute is all you need, but when it overtakes you, you become distracted and detached from your sense of reality. For Rachel Lime, the singer/songwriter/producer, time seems to be suspended in her […]

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Joe Pernice Brings Melody, Restraint, and Emotional Clarity to Solo LP ‘Sunny, I Was Wrong’ (ALBUM REVIEW)

Joe Pernice Brings Melody, Restraint, and Emotional Clarity to Solo LP ‘Sunny, I Was Wrong’ (ALBUM REVIEW)

Joe Pernice has been playing an uncompromising brand of indie music for more than three decades now. He dug into alternative country with the Boston-based Scud Mountain Boys before switching to a more indie rock/pop sound with the Pernice Brothers. But it’s his latest—and first—solo studio effort, where he strips it all down for a […]

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Charley Crockett Wraps Up Daring Sagebrush Trilogy With Ethereal & Lofty ‘Age of the Ram’ (ALBUM REVIEW)

Charley Crockett Wraps Up Daring Sagebrush Trilogy With Ethereal & Lofty ‘Age of the Ram’ (ALBUM REVIEW)

Charley Crockett has always been a prolific artist, stretching the limits of his imaginative approach to country, which toes the line between tradition and the lofty. Recently, though, the long-standing troubadour has been releasing distinct, genre-altering releases, starting with 2025’s Lonesome Drifter and Dollar A Day, which arrived a few short months later. These two […]

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Amplifiers to Oblivion: Sunn O))) Reclaim Their Drone Throne On Self-Titled Sub Pop Release (ALBUM REVIEW)

Amplifiers to Oblivion: Sunn O))) Reclaim Their Drone Throne On Self-Titled Sub Pop Release (ALBUM REVIEW)

The long-running, Seattle, Washington-based drone metal act Sunn O)))))) returns with their first new music in seven years, as their tenth album is a self-titled offering and their first for new label Sub Pop.  The duo of Stephen O’Malley and Greg Anderson has been performing for over thirty years, pushing avant-garde metal and noise rock […]

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Thundercat Returns With Dazzling & Empathetic LP ‘Distracted’ (ALBUM REVIEW)

Thundercat Returns With Dazzling & Empathetic LP ‘Distracted’ (ALBUM REVIEW)

There has always been a warm, welcoming familiarity to Thundercat’s voice. The innovative contemporary multidisciplinary artist expresses a charming humanity through his dream-like falsetto, and more of the world takes notice as time goes by. The artist’s jovial approach to the harshness of reality and expert jazz fusion work has led him to A-list collaborations, […]

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Video

40 Years Ago Today – Judas Priest Lay It Light With ‘Turbo’

40 years ago today (4/7/86), Judas Priest went light with Turbo– their most unmetal album since their bluesy debut. Coming off the steel-plated dominance of Defenders of the Faith, the band took a sharp left turn into a more polished, synth-driven sound that leaned into the sounds bands like RATT…