Chase McBride’s painterly folk is imbued with pop optimism, his sense for rhythm and melody, and his gentle voice. His previous albums Cold Water and Green Shade have found viral success on streaming platforms, but about his latest Pink Lemonade (out 11/30) he says “This album, from an aesthetic standpoint, feels the most like me.” The album was co-produced Andrew Heringer (Milo Greene), prolific songwriter, producer and engineer, and recorded at Heringer’s Mirror Wall Studio in Beachwood Canyon, LA. “He understood the vision that I had for these songs and was adept at channeling that into a recorded version; also creating an environment where I felt comfortable enough to experiment and try sounds whether or not they were going to work…”
McBride immersed himself in Los Angeles for the project, staying at Heringer’s studio and exploring beyond its tourist traps during his off time. As someone who grew up in Montana, the city had been enigmatic and mythical to him. His time there helped him understand its vastness, variety of communities, and his own misconceptions about life in the metropolis. In the process, McBride was able to direct his experiences towards his song-writing.
Pink Lemonade illuminates McBride’s fine arts training as a painter. The shadows of his folk music are contrasted by his pop music flare. In finding his voice he’s able to shed light on the lives of the characters in his songs. There’s an egalitarianism to his work, celebrating every person in his investigation of Los Angeles, from an upbeat pop song about a lonely person in the pub (“Help Me”) to a gorgeous vocal effort about a relationship ending in the public eye (“Find A Home”).
Chase has been thinking about songs his whole life. Working in a touring band during the weekends in his college years brought him experience in the industry. As a child he grew up close to his grandfather, who was a Dixieland Jazz player. In a musical family he learned trumpet, euphonium, drums, and guitar. Early on McBride became curious about the moods Beethoven’s music could inspire. “The first song that made an impression on me was “Moonlight Sonata”. I remember listening to that to the point that my dad got tired of it and made me turn it off. I was obsessed with how sound could make me feel, and the places that it took me. Shaping that energy and trying to make it myself has been my path since then.” Influence is also drawn from beat poet Allen Ginsberg, spiritual philosophers Ram Dass, and Alan Watts, and particularly Kentucky poet Wendell Berry.
Asked about releasing an album so full of élan in these turbulent times, McBride recalls Wendell Berry’s line from the poem February 2, 1968: “…the world in danger, I walk the rocky hillside sowing clover”.
Glide is proud to premiere “Pieces” from McBride (below) a mature composition offering luminous layers of hooks, substance and melody. Like game changing folk artists The Tallest Man on Earth and Ben Howard, McBride offers a triumphant and modern vantage point that makes for a bonafide folk-pop winner.
Socials:
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https://www.facebook.com/ChaseMcBrideMusic/
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