Since forming in 2010, Vintage Trouble has quietly become rock ‘n’ roll’s best kept secrets. Distilling swaggering rock, soulful blues, R&B (rhythm& blues) grooves, and pop ambition into a bold and brash brew, the quartet—Ty Taylor [vocals], Nalle Colt [guitar], Rick Barrio Dill [bass], and Richard Danielson [drums]—have logged 3,000 shows across 30 countries on tour with The Who, The Rolling Stones, AC/DC, Lenny Kravitz, and Bon Jovi, to name a few. Along the way, they also performed on Later… with Jools Holland, Jimmy Kimmel LIVE!, Conan, The View, and The Tonight Show (four times in one year!) in addition to receiving acclaim from New York Times, NPR, The Wall Street Journal, Billboard, Rolling Stone, and more. With a trio of albums under their collective belt, namely The Bomb Shelter Sessions, The Swing House Acoustic Sessions, and 1 Hopeful Rd., they challenged themselves like never before on the 2018 EP, Chapter II. Preorders for Chapter 11 are available here.
Inspired by this sterling reputation on the road, Vintage Trouble aimed to seamlessly translate that stage spirit into the studio setting for the first time.
“We’ve gotten the opportunity to play literally the biggest shows in the world,” says Ty. “However, we weren’t catching the same feeling on record as we did live. That sent us back to the factory, you could say. We started to listen to a lot of popular music—everything from Amy Winehouse and Adele to Bruno Mars and Lauryn Hill. We wanted to take something from the past and put it in contemporary framing. That was the impetus. We decided to play what felt like pop songs would be with rhythm & blues and rock ‘n’ roll tension. There’s a different life to the music. That was the entire mission behind this new phase.”
“We jumped into it without any fear,” adds Nalle. “We wanted to show the other side of who we are. It’s definitely Chapter II in the story of Vintage Trouble.” In order to bring that vision to life, the guys traded Southern California for the Cayman Islands. Throughout two ten-day trips to a private studio, they recorded a bevy of songs and culled them down to what would become Chapter II alongside producer Jeeve [Bruno Mars, Carlos Santana]. Instead of recording live a la previous releases, the musicians tracked individually for the first time and incorporated keys
and horns into an expanding soundscape.
“We used to record everything live, but it was difficult to edit and you’re stuck with the full take, mistakes, a lot of bleed, and all,” says Richard. “We decided to make music with today’s recording techniques for the new EP. Instead of just being a live band in the studio, we got to be a studio recording artist. We didn’t paint ourselves into any corners. It’s a major evolution for us with a bigger sound that can speak to a much larger audience.”
Illuminating the airtight songwriting at the EP’s core, Vintage Trouble included acoustic takes on all five new cuts. “That was important,” adds Ty. “They’re real (traditional songs) that can be played on acoustic guitars, percussion or piano.”
In the end, Chapter II represents the beginning of what might be Vintage Trouble’s greatest chapter yet.
“We’ve been known as a live band for so long, and we’ll always have that,” Rick leaves off. “We really took our time to make sure the song always comes first in the new music. We’re taking that part of our art seriously and gut-wrenchingly making sure we don’t leave anything on the table. This music had to be able to hang with the greatest records we love in our record collections. That was the goal.”
Glide is proud to premiere “My Whole World Stopped Without You” (below) an inspirational anthem full of big hooks and fervently emotive vocals. Like Alabama Shakes, Vintage Trouble shows they have a grasp on 60’s soul and a nod towards eclectic modern rock – Vintage Trouble’s time as rock’s big secret is soon to be no more.
“Sometimes we need to go around the world to fully grasp and appreciate the wonder of our own backyard,” says Dill. “This is easily the same with affairs of the heart. With “My Whole World Stopped Without You”, we channeled the feeling ofgut-wrenchingg pain and anguish when you all but lose the love of your life. But instead of losing your light, you use the hurt as inspiration and let it become the fuel that ultimately saves true love from the cliffs edge.”
Photos by Jay Gilbert
