Brenton Wood is an unsung hero of the 1960s soul era, a name that may not ring as many bells as Marvin Gaye or Smokey Robinson but deserves just as much attention. Born Alfred Jesse Smith in Shreveport, Louisiana, he moved to Los Angeles, where his musical career took shape. Influenced by the rich R&B and soul sounds of the era, Wood found his groove in a blend of Motown-inspired pop hooks, heartfelt soul, and a unique West Coast flair. His career is best remembered for his biggest hits in the late 1960s, yet 18 Best brings together not just these well-known tracks but also deeper cuts that showcase the range and versatility of this soulful crooner. Craft Recordings’ release of 18 Best on vinyl for the first time is a testament to Brenton Wood’s enduring appeal. The vinyl format serves his sound well, adding warmth and depth to recordings that, while excellent in their original form, truly come to life in this analog format. His blend of upbeat grooves and sentimental ballads feels more organic, with a rich analog texture that brings out the full charm of these timeless tracks.
Brenton Wood’s sound is characterized by an irresistible mix of catchy melodies and soulful, sincere vocals. He is perhaps best known for his playful yet emotionally compelling songwriting. His most recognizable hit, “Gimme Little Sign,” remains as captivating today as when it was first released. The song’s rhythmic bounce, simple yet effective keyboard riff, and Wood’s cool, pleading vocals make it one of the definitive love songs of the era. “Oogum Boogum Song,” another fan favorite, is a perfect showcase of Wood’s lighter, more playful side. The song, with its infectious brass riffs and playful lyrics, has a tongue-in-cheek charm that still makes it a standout in his catalog. Beyond his biggest hits, deeper cuts like “I’m The One Who Knows” showcase Wood’s ability to inject deeper emotional layers into his music. This song, built around a smooth groove and a reflective tone, highlights his knack for songwriting that speaks to both joy and sorrow in love. “Catch You On The Rebound” takes a more reflective turn. This song features Wood exploring the complications of love, where heartbreak is inevitable, but there’s a lingering sense of hope. The swirling organ lines and moody bass underscore Wood’s contemplative vocals, making this one of the more introspective cuts on 18 Best.
“Me and You” stands out as a softer, more reflective track, a perfect example of Wood’s ability to convey deep emotion without overstating it. The song’s gentle melody, paired with his introspective lyrics about love’s complexities, makes it one of the album’s hidden treasures. “I Like the Way You Love Me,” in contrast, is upbeat and joyful, full of optimism and warmth. It’s a song that immediately lifts the spirit, with a bright rhythm and infectious chorus. Wood’s vocal performance is particularly engaging here, filled with passion and sincerity that’s amplified on the vinyl pressing.
Brenton Wood’s 18 Best is more than just a compilation—it’s a celebration of one of soul’s most underrated talents. This collection is a treasure trove of feel-good hits, tender ballads, and timeless grooves, offering a comprehensive look at Wood’s unique sound and artistic voice. For longtime fans, the vinyl release is a nostalgic return to a beloved era, while for new listeners, it serves as a perfect introduction to Wood’s remarkable catalog. Craft Recordings has done an outstanding job preserving the warmth and authenticity of these tracks, making this vinyl release not only a collector’s item but also a vital reintroduction of Brenton Wood’s soulful legacy.
