Imperial Triumphant’s Zach Ezrin on Entering a New Era with ‘Goldstar’ and Ramping Up Their Live Act (INTERVIEW)
Mike Watt and Mike Baggetta of mssv Talk Epic Touring Schedule, Collaborative Writing, and Recording New LP ‘On and On’ (ALBUM PREMIERE/INTERVIEW)
Denison Witmer Talks Channeling New Life Perspectives on Sufjan Stevens Collaboration ‘Anything At All’ (INTERVIEW)
Canadian Electroclash Icon Peaches Profiled in Raw, Unfiltered, and Celebratory Documentary ‘Teaches of Peaches’ (FILM REVIEW)
Heartbreakers Guitarist Mike Campbell Humbly Chronicles an Epic Career in ‘Heartbreaker: A Memoir’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
SONG/VIDEO PREMIERE: Tommy Emmanuel Astounds With Full Acoustic Force On “Windy & Warm” Off ‘Live At The Sydney Opera House’
Mary J. Blige Brings ‘The For My Fans Tour’ To St. Paul’s Xcel Energy Center For Courageous Performance (PHOTOS)
Jorma Kaukonen Shares Woodstock Stories, Jefferson Airplane Memories & The Search For Guitar Mastery (INTERVIEW)
55 Years Later – Leon Russell’s Self Titled Solo Debut Stands As Influential & Culturally Significant Listen
Art-rocker Craig Klein (Ohr) Shares His Favorite Seattle Record Stores Ahead of New Album ‘Afterglow’ (VINYL LIVES)
Saxophonist John Helliwell (Formerly Of Supertramp) On A Life Of Jazz After Prog-Pop (HEY YOU/INTERVIEW)
Time Out Take Five – Winter 2025: Warren Wolf, Spinifex, Towner Galaher Organ Group, Anat Cohen Quartetinho
SONG/VIDEO PREMIERE: Tommy Emmanuel Astounds With Full Acoustic Force On “Windy & Warm” Off ‘Live At The Sydney Opera House’
VIDEO PREMIERE: Mike Delevante Offers Sunny and Infectious Dose of Power Pop Hope with “The Rain Never Came”
SONG PREMIERE: GA-20 Offer Hard-driving Slide Guitar-soaked Interpretation of Elmore James’ “Stranger Blues”
SONG PREMIERE: eggcorn Veers From Upbeat Alt-pop to Delicate Indie Folk on “Observer Effect” and “Solo Party”
Days Between: Bob Weir Still Finds Ways To Let The Music Grow At Chicago’s Auditorium Theatre (SHOW REVIEW) November 24, 2024
Oteil & Friends Take Portland, OR For a Long, Groovy Ride with Melvin Seals, Steve Kimock and More (PHOTOS/SETLIST) September 8, 2024
Robert Hunter’s 1974 Solo Debut ‘Tales of the Great Rum Runners’ Shines On 50th Anniversary Deluxe Edition (ALBUM REVIEW) June 7, 2024
What complete tour would you like to see Phish release if they were to do something like the Grateful Dead’s Europe 72 release? I vote for Summer 1998. Inspired playing. Covers galore. Good times had by all. What tour would you like to see? Reply
GREAT question, Andrew, and one I’ve pondered many times. I would vote Fall 1997 or Summer 1994. Reply
55 Years Later – Leon Russell’s Self Titled Solo Debut Stands As Influential & Culturally Significant Listen Read More »
CAUSTIC COMMENTARY: My Morning Jacket, Lonnie Holley, Men I Trust, Japanese Breakfast, David Ramirez & More
David Ramirez Takes Vulnerability to New Heights on Sonically Expansive ‘All The Not So Gentle Reminders’ (ALBUM REVIEW)
Imperial Triumphant’s Zach Ezrin on Entering a New Era with ‘Goldstar’ and Ramping Up Their Live Act (INTERVIEW)
3 Responses
What complete tour would you like to see Phish release if they were to do something like the Grateful Dead’s Europe 72 release? I vote for Summer 1998. Inspired playing. Covers galore. Good times had by all. What tour would you like to see?
GREAT question, Andrew, and one I’ve pondered many times. I would vote Fall 1997 or Summer 1994.
fall 97