Eclectic alt-rock veterans Garbage have returned with their third post-hiatus album and seventh overall. No Gods No Masters continues in the Wisconsin band’s tradition, melding disparate musical styles into a
Daddy’s Home, the sixth solo St. Vincent album, marks another abrupt turn for the musical chameleon. Following two art-pop albums drenched in electronic influences, this release is Annie Clark’s most
Over its seventeen years of alternative music, Manchester Orchestra’s sound has been about balance — balancing light and darkness, heavy and soft, introspection and aggression. At times, the scales shift
The Rise & Fall of Loverboy, the third album from Southern California band Sir Sly, delivers an upbeat amalgamation of rock, electronica, and hip-hop that straddles the line between pop entertainment and
The fourth album from Canadian duo Death from Above 1979 is an energetic collection of dance-punk that melds savage ferocity with infectious hooks. Is 4 Lovers follows the style of
Show Me How You Disappear is a complex tapestry of rock and pop that offers introspective tales through dreamy melodies and a juxtaposition of musical styles. Ian Sweet began as
Alt-rock veterans The Melvins has returned to its roots with its twenty-ninth full-length album. Working with God reunites what the band calls Melvins 1983, the almost-founding lineup – original guitarist
The landscape of alternative music has changed frequently over the 27 years that Foo Fighters has been around. Over the course of the band’s ten albums, Dave Grohl and company
The Kills’ first album since 2016’s Ash & Ice is a collection of B-Sides and rarities chronicling the duo’s early career. Little Bastards is a lengthy collection of rare Kills
Smashing Pumpkins has always been a band that bucks trends, incorporating psychedelia and metal at a time when it was anything but cool in the alternative world, using densely layered