Storied Indie Pop Band The Loft Make Full-length Debut Four Decades In With ‘Everything Changes Everything Stays The Same’ (ALBUM REVIEW)

Storied Indie Pop Band The Loft Make Full-length Debut Four Decades In With ‘Everything Changes Everything Stays The Same’ (ALBUM REVIEW)

In the early ‘80s through the late ‘90s, the British label Creation Records helped usher in a slew of new music genres thanks to their signings – from shoegaze (My Bloody Valentine, Jesus And Mary Chain, Ride) to Brit Pop (Oasis, Super Furry Animals) and just about every rock subgenre in between. One of their […]

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Heartbreakers Guitarist Mike Campbell Humbly Chronicles an Epic Career in ‘Heartbreaker: A Memoir’ (BOOK REVIEW)

Heartbreakers Guitarist Mike Campbell Humbly Chronicles an Epic Career in ‘Heartbreaker: A Memoir’ (BOOK REVIEW)

Mike Campbell might just be the most humble musician in rock music. As guitarist for Tom Petty And The Heartbreakers, he has co-written some of the most iconic American rock songs of his generation (“American Girl,” “Running Down A Dream,” “Refugee,” “Here Comes My Girl”). He served in one of Bob Dylan’s backing bands, he […]

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Sean McConnell Gives Soul-baring Lyrics a Folk-rock Soundtrack on ‘Skin’ (ALBUM REVIEW)

Sean McConnell Gives Soul-baring Lyrics a Folk-rock Soundtrack on ‘Skin’ (ALBUM REVIEW)

With Skin, his most intimate album yet, Nashville-based Sean McConnell mines his own demons, struggles, and insecurities for material. The result is sometimes dour, often emotional, but always genuine, as he deftly blends soul-baring lyrics with a moody but beautiful folk-rock soundtrack. Along with his own career as a musician, McConnell has made a name […]

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The Devil Makes Three Balance Doom, Gloom, and Optimism on Rousing LP ‘Spirits’ (ALBUM REVIEW)

The Devil Makes Three Balance Doom, Gloom, and Optimism on Rousing LP ‘Spirits’ (ALBUM REVIEW)

The Devil Makes Three has never been accused of making light, vapid music. Across seven albums, the Santa Cruz-based trio has melded Blues, folk, Americana, and even influences of punk with often deeply personal, occasionally dark lyrics for a deeply satisfying gothic folk sound. Like Johnny Cash fronting The Cramps, the band has cleaved out […]

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The Wombats Awaken with Ambitious and Melodic Collection on ‘Oh! The Ocean’ (ALBUM REVIEW)

The Wombats Awaken with Ambitious and Melodic Collection on ‘Oh! The Ocean’ (ALBUM REVIEW)

Oh! The Ocean, the sixth LP by The Wombats, was inspired by a shitty morning, a brilliant beach view and an almost drug-like spiritual awakening.  “There was this revelation that I had been living a life caught up in my own head, or in some kind of racing helmet or with blinkers on,” said frontman/guitarist […]

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Massy Ferguson Keep Pacific Northwest Alt-country Sounds Fresh on ‘You Can’t Tell Me I’m Not What I Used To Be’ (ALBUM REVIEW)

Massy Ferguson Keep Pacific Northwest Alt-country Sounds Fresh on ‘You Can’t Tell Me I’m Not What I Used To Be’ (ALBUM REVIEW)

Two decades into their run, Seattle-based Americana band Massy Ferguson can’t be accused of writing the same album over and over again. On You Can’t Tell Me I’m Not What I Used To Be, their seventh record, the band that has built a loyal fan base around their ability to deftly walk that line between […]

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Horsebath Drink From The Cosmic Country Well on Debut ‘Another Farewell’ (ALBUM REVIEW)

Horsebath Drink From The Cosmic Country Well on Debut ‘Another Farewell’ (ALBUM REVIEW)

The members of Horsebath may all be born and bred Canadians, but their record collection is clearly crammed with musicians well south of the border. Their 10-song debut, Another Farewell, is slathered in Cosmic Country, Tex Mex and Americana, bringing to mind everyone from Gram Parsons to Doug Sahm. But they also manage to sneak […]

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Post-New Wave Outfit Circa Waves Continue Prolific Streak with ‘Death & Love Pt. 1’ (ALBUM REVIEW)

Post-New Wave Outfit Circa Waves Continue Prolific Streak with ‘Death & Love Pt. 1’ (ALBUM REVIEW)

With six albums out in the span of just over a decade, Liverpool’s post-New Wave acolytes Circa Waves are clearly on a prolific streak. Their last effort, 2023’s Never Going Under, was still finding new fans across the globe as they prepped to release Death & Love Pt. 1. Part of the reason for the […]

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The Davenports Strive For Indie Pop DIY Approach On ‘You Could’ve Just Said That’ (ALBUM REVIEW)

The Davenports Strive For Indie Pop DIY Approach On ‘You Could’ve Just Said That’ (ALBUM REVIEW)

Seven years after their last record, The Davenports – a revolving line-up band anchored by Scott Klass – is finally back with new music, having self-recorded the latest batch of songs in Klass’s own house. The result is a mix between some of the brilliant lo-fi bedroom tapes of the 1990s and a more polished […]

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Lucero Strip Down for Sprawling and Intimate Acoustic Double LP ‘Unplugged’ (ALBUM REVIEW)

Lucero Strip Down for Sprawling and Intimate Acoustic Double LP ‘Unplugged’ (ALBUM REVIEW)

Thanks to MTV’s Unplugged series, there was about a decade-long run where acoustic albums were en vogue. Arguably, Nirvana’s Unplugged is the crowning achievement of the movement (with Arrested Development’s entry also up there), but there were a slew of also-rans that, while interesting at times, were not as memorable (who knew 30 Seconds To Mars and […]

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Lilly Hiatt Takes Ambitious Approach to Alt-rock and Americana Sounds on ‘Forever’  (ALBUM REVIEW)

Lilly Hiatt Takes Ambitious Approach to Alt-rock and Americana Sounds on ‘Forever’ (ALBUM REVIEW)

Coming four years after her last record, Forever is Lilly Hiatt’s strongest blend yet of alt-rock guitars with Americana sensibilities. You can hear it in the chugging chords on the album opener “Hidden Day,” a stellar driving song that foreshadows what’s to come. Forever is an ambitiously experimental record that’s still anchored by Hiatt’s strong, […]

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Pigeon Pit Keep Country and Pop-punk Sounds Experimental on ‘Crazy Arms’ (ALBUM REVIEW)

Pigeon Pit Keep Country and Pop-punk Sounds Experimental on ‘Crazy Arms’ (ALBUM REVIEW)

The seemingly enigmatic marriage between country and punk was first consecrated in the late ‘70s and early’80s with bands like Rosie and the Screamers and The Gun Club, where more adventurous groups started picking elements from the seemingly disparate genres and finding common ground with each making for a hybrid that is still around today. […]

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Ethan Samuel Brown Offers Timely Commentary on American Identity with Genre-crossing ‘Small Actors’ (ALBUM REVIEW)

Ethan Samuel Brown Offers Timely Commentary on American Identity with Genre-crossing ‘Small Actors’ (ALBUM REVIEW)

The title of Ethan Samuel Brown’s latest, Small Actors, is not simply a tossed-out album moniker. Rather, it serves as a blueprint of sorts for the characters that take the stage in various acts throughout the 10-track LP. From a narrator who questions their own patriotism in “Am I American?” to a cynical character walking […]

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The Blasters Frenetic Live EP ‘Over There: Live at the Venue, London – The Complete Concert’ Gets Expansive Reissue (ALBUM REVIEW)

The Blasters Frenetic Live EP ‘Over There: Live at the Venue, London – The Complete Concert’ Gets Expansive Reissue (ALBUM REVIEW)

The LA punk scene in the early 80s was wild. You had bands like X, Black Flag, the Germs, and The Screamers all essentially helping to create their own regional flavor of punk, a genre that was just in its infancy. But the bands and fans were also open-minded enough to latch onto a group […]

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Thompson Twins 1984 Synth-pop Classic ‘Into The Gap’ Gets 40th Anniversary Reissue (ALBUM REVIEW)

Thompson Twins 1984 Synth-pop Classic ‘Into The Gap’ Gets 40th Anniversary Reissue (ALBUM REVIEW)

Despite the power of nostalgic thinking and sudden discovery of Gen Z (likely courtesy of TikTok), not all music from the ‘80s was great. For every Cure and Pixies album that has rightfully gone on to achieve near-universal classic status, there was a Starship or Chris de Burgh record that reminded you cocaine was almost […]

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Gavin Friday Gives Voice to the Slighted with Sprawling Solo Effort ‘Ecce Homo’ (ALBUM REVIEW)

Gavin Friday Gives Voice to the Slighted with Sprawling Solo Effort ‘Ecce Homo’ (ALBUM REVIEW)

It’s been more than a decade since Gavin Friday – former front man for The Virgin Prunes – last put out a solo album, but with Ecce Homo he picks up right where he left off 13 years ago.  Friday developed a template of rebelling against the expected and custom norms all the way back […]

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Illiterate Light Throw Potent Blend of Dance Rock, Punk, and Psych-folk Into the Mix on ‘Arches’ (ALBUM REVIEW)

Illiterate Light Throw Potent Blend of Dance Rock, Punk, and Psych-folk Into the Mix on ‘Arches’ (ALBUM REVIEW)

Richmond, Virginia has a storied history of producing bands from a slew of disparate genres, from metal and punk groups like Lamb Of God, Municipal Waste, and Gwar to alt-country bands like Sparklehorse and Cracker. So, it’s not surprising that the scene would churn out an eclectic indie rock band like Illiterate Light. Comprised of […]

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SUSTO’s Johnny Delaware Melds Americana and Psych-folk on Solo LP ‘Para Llevar’ (ALBUM REVIEW)

SUSTO’s Johnny Delaware Melds Americana and Psych-folk on Solo LP ‘Para Llevar’ (ALBUM REVIEW)

Johnny Delaware describes his latest record as a nomadic affair.  “I recorded it in studios in Mexico and the United States and in hotel rooms all across Latin America, and if you listen closely, you can hear bits and pieces of all those places and the people I met along the way. They’re all a […]

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Robert Hilburn’s ‘A Few Words in Defense of Our Country’ Offers In-depth Biography of Randy Newman  (BOOK REVIEW)

Robert Hilburn’s ‘A Few Words in Defense of Our Country’ Offers In-depth Biography of Randy Newman (BOOK REVIEW)

Randy Newman is so influential that his songwriting style has become shorthand for smart and searingly witty. The albums Good Old Boys and Sail Away are two of the best themed records to come out of the early 1970s. And in an entirely separate career, sometimes concurrently, Newman has scored 30 movies going back five […]

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Elias Rønnenfelt Of Iceage Makes Potent Solo Debut On Stripped Down ‘Heavy Glory’ (ALBUM REVIEW)

Elias Rønnenfelt Of Iceage Makes Potent Solo Debut On Stripped Down ‘Heavy Glory’ (ALBUM REVIEW)

The Danish band Iceage is known for their inventive, if at times quirky, take on punk and post-punk. Across four solid albums, the band has offered a powerful take on the genre with layered instruments and a substantial sound. So, it’s a little unexpected to hear how intimate the songs are on singer/lyricist Elias Rønnenfelt’s […]

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