At a time when hurricanes are rapid-firing across the continent, nuclear war feels closer than ever before, and the news cycle spews a constant stream of vitriol, comic relief is
[rating=9.00] It’s hard to believe that Strange Peace is only the third full-length record from the Canadian trio known as Metz. These noise rockers have been playing together since 2008
[rating=8.00] Consistent musical quality and perpetual growth are the calling cards of the Australian electro dance wizard, Dan Whitford, of Cut Copy. Sailing into his fifth full-length album, Haiku From
Ben Folds emanates a magnetic nerd-rock charisma that allows himself to orchestrate audiences with the same dexterity that his fingers have upon his piano keys. A Sunday night at Stubb’s
[rating=8.00] Ariel Pink, like his music, is a curious swirl of fantasy, existentialism, and abounding magnetism. Dedicated to Bobby Jameson is Pink’s first solo album since 2014’s pom pom, and
[rating=7.00] The echoes of the mid-2000’s indie rock are boomeranging back in the full force and Philadelphia-based quartet, The Districts, aren’t shy about purveying it. On their third full-length album,
There are nights when you realize that the universe has aligned an event in such a way that it would be a fallacy to miss out on. When two beloved
Any music fan from the 90’s will understand that Butch Vig needs little to no introduction. As the drummer and co-producer of Garbage and the producer of Nirvana’s historic Nevermind, Vig has
Float Fest is a bold endeavor that has paid off once again. Bringing thousands of music-loving Texans to the Cool River Ranch in San Marcos, in the middle of a
[rating=7.00] It’s ironic how a collection of castoffs and orphaned gems can blend into a masterpiece that almost proves more profound than the artist’s previous six records. Beach House, the