Antibalas Afrobeat Orchestra: The Essentials Of Afrobeat (Interview With Martin Perna)
Aside from lyrical turns into the West African language of Yoruba, there is no hidden message within the music of Brooklyn based Antibalas. This fourteen-plus band brings a relentless attack of R&B style horn figures, call and response chanting, horns, bass, funk-styled guitar chords within a polyrhythmic euphoria. But it
Mount Washington: The Coldest Peak On The Coldest Week
According to the Mt. Washington Weather Archive, during the recent weeklong freeze, January 17th was going to be the best day to make a summit attempt. The daytime air temps were above freezing and the wind wasn’t expected to be too much to handle. As it turned out, in the 24-hour period of the 17th, the avg wind speed was 94 mph with a maximum gust of 145 mph. Glide’s resident outdoor enthusiast took that forecast as a personal invite to climb the world’s windiest spot.
In America: Life, Liberty and The Pursuit of Family (Interview With Jim Sheridan)
There is no other time more perfect for Jim Sheridan
Best of 2003: From The Artists Perspective
If you want to find the pulse of a culture, discover where the innovators are finding inspiration. So with that in mind, we decided to go right to the source and ask some of our favorite artists what they enjoyed most over the past year. Since Glide covers a diverse helping of artforms, we sought out a truly eclectic mix and asked them all sorts of questions, ranging from great music to great moments. With praises you’d expect and many others you would not (see Keller’s affinity for naked kayaking), it’s a candid sneak peak to life off stage. Though, coming as no surprise, it seems every tourbus rolled the highways this year with Hail To The Thief on repeat.
Still-live: Rock Photographer Robert Massie
If a picture speaks a thousand words, then Robert Massie
Chris McGregor: Reveling in Mirror Mask (INTERVIEW)
Herein, Chris McGregor of Stage II Design & Production neither confirms nor denies the whereabouts of the oversized sea life remnants included in the Aquarium from Phish’s 1993 New Year’s run. Whether or not the props are indeed stored in Fishman’s basement remains anyone’s guess. Nevertheless, McGregor kindly shares incisive commentary regarding his role in masterminding some of the most epic moments in Phish history.
Death Cab for Cutie: A Transatlantic Crossover (Interview With Jason McGerr)
Distance can create a sense of comfort and security, but it can also overwhelm, causing feelings of isolation and despair. So when Ben Gibbard was developing a title for the band
How Do I Get Paid?: Public Performance Money And The New Webcasting Royalty
The United States drastically differs from other nations with respect to payment of public performance royalties. However, that may soon change in the artists
Elephant: A New Perspective On Columbine
With his newest film, Elephant, writer/director Gus Van Sant continues his exploration into what it
Scratch Tour 2003: Put the Needle On the Future…And The Past (Interview With Rob Swift)
On the heels of the acclaimed feature film documentary, Scratch, which chronicles the birth and evolution of the hip-hop DJ, the Scratch Tour 2003 features turntable masters QBert, Mix Master Mike, X-ecutioners, Z-Trip and the Original Jazzy Jay. Incorporating multimedia artists and opening sets by local DJs, the Scratch Tour proves DJs are more than equal to their traditional instrument peers
Chris Robinson: A Truck Stop In Toledo (INTERVIEW)
With The Black Crowes on hiatus, the band
Screenwriter Mike White of ‘School of Rock’ Featuring Jack Black (INTERVIEW)
The trouble with being a screenwriter is the irony that you are invisible to those who see your work. On the other hand, maybe that
Bucky Lasek: Skateboarding Is Not A Hobby (INTERVIEW)
Just as the lines of diverse music genres have continued to outgrow preconceived labeling, the world of “extreme games” is experiencing it
Michael Franti and Spearhead: We Don’t Stop (INTERVIEW)
For nearly two decades, Michael Franti has ignited live music with an outspoken spark that signifies revolution, change and awareness. From the black industrial sounds of the Beatnigs in the 80