‘Loving’ Offers Great Performances, Little Else (FILM REVIEW)

‘Loving’ Offers Great Performances, Little Else (FILM REVIEW)

Strong performance can’t overshadow a script that does little justice to the obviously important subject matter.

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‘Doctor Strange’ Breaks Visual Boundaries, Treads Familiar Narrative Path (FILM REVIEW)

‘Doctor Strange’ Breaks Visual Boundaries, Treads Familiar Narrative Path (FILM REVIEW)

The Marvel path is all too famliar, but as Doctor Strange shows there’s still some magic up their sleeves.

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‘Inferno’ A Divine Purgatory (FILM REVIEW)

‘Inferno’ A Divine Purgatory (FILM REVIEW)

The Robert Langdon series gets worse with every release, but hasn’t quite dipped into terrible just yet.

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‘We Are X’ Is An Astounding Look Inside The Tragic, Inspiring World Of X Japan (FILM REVIEW)

‘We Are X’ Is An Astounding Look Inside The Tragic, Inspiring World Of X Japan (FILM REVIEW)

Chronicling X Japan, ‘We Are X’ takes a bold look at the nature of art and creation.

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Austin Film Festival: ‘One Night’ Is An Imperfect, Interesting Look At An Age-Old Question (FILM REVIEW)

Austin Film Festival: ‘One Night’ Is An Imperfect, Interesting Look At An Age-Old Question (FILM REVIEW)

In the end, its charms overcome its problems, but only just.

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Austin Film Festival: ‘Good Fortune’ Is One Bad Documentary (FILM REVIEW)

Austin Film Festival: ‘Good Fortune’ Is One Bad Documentary (FILM REVIEW)

Less a movie than a marketing experience, ‘Good Fortune’ offers nothing good and little fortune for its audience.

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Austin Film Festival: ‘The Tiger Hunter’ Is A Madcap Meditation On The American Dream (FILM REVIEW)

Austin Film Festival: ‘The Tiger Hunter’ Is A Madcap Meditation On The American Dream (FILM REVIEW)

[rating=7.00] There’s something I found very strongly off-putting in the opening moments of The Tiger Hunter, a film by writer/director Lena Khan. Told through flashback, and narrated by the character of Sami (Danny Pudi, in a very distracting Indian accent), he tells of his father, a great warrior, and titular tiger hunter. He saved a […]

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Austin Film Festival: Brilliant Cinematography And Poor Pacing Collide In ‘Desierto’ (FILM REVIEW)

Austin Film Festival: Brilliant Cinematography And Poor Pacing Collide In ‘Desierto’ (FILM REVIEW)

Desierto is a beautiful looking film whose narrative never quite reaches the same level of quality.

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Austin Film Festival: ‘Wakefield’ Is A Good Performance Trapped In A Not-So-Good Movie (FILM REVIEW)

Austin Film Festival: ‘Wakefield’ Is A Good Performance Trapped In A Not-So-Good Movie (FILM REVIEW)

Despite a powerhouse performance by Bryan Cranston, ‘Wakefield’ doesn’t quite hold together as a film

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Austin Film Festival: ‘Brave New Jersey’ Will Subvert Your Expectations — And Charm You Anyway (FILM REVIEW)

Austin Film Festival: ‘Brave New Jersey’ Will Subvert Your Expectations — And Charm You Anyway (FILM REVIEW)

Set during the infamous ‘War of the Worlds’ broadcast, Tony Hale leads an ensemble cast in this delightfully nostalgic comedy

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Don’t Bother ‘Keeping Up with the Joneses’ (FILM REVIEW)

Don’t Bother ‘Keeping Up with the Joneses’ (FILM REVIEW)

Talent, potential, and time are all wasted in this giant mess of a film.

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Jack Reaches New Lows in ‘Never Go Back’ (FILM REVIEW)

Jack Reaches New Lows in ‘Never Go Back’ (FILM REVIEW)

In retrospect, “Never Go Back” feels like a warning. Save your time and money and just watch the original Jack Reacher instead.

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Austin Film Festival: Dark Comedy ‘Middle Man’ Comes Out On Top (FILM REVIEW)

Austin Film Festival: Dark Comedy ‘Middle Man’ Comes Out On Top (FILM REVIEW)

A superbly crafted, intricately demented tale that both celebrates and critiques the essence of dark comedy.

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‘The Accountant’ Balances the Books Between Enjoyable and Flawed (FILM REVIEW)

‘The Accountant’ Balances the Books Between Enjoyable and Flawed (FILM REVIEW)

It might be best if you don’t overthink it, but there’s plenty of fun to be had with The Accountant.

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‘American Honey’ Redefines Coming of Age (FILM REVIEW)

‘American Honey’ Redefines Coming of Age (FILM REVIEW)

Splendid and stark, American Honey rewrites the rules for the coming of age genre in magical ways.

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‘The Girl on the Train’ Should Have Never Left the Station (FILM REVIEW)

‘The Girl on the Train’ Should Have Never Left the Station (FILM REVIEW)

Somehow, The Girl on the Train manages to be more dull than a commute you’ve taken for the last ten years.

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‘The Siege of Jadotville’ Respects Its Story, If Not Its Nuance (FILM REVIEW)

‘The Siege of Jadotville’ Respects Its Story, If Not Its Nuance (FILM REVIEW)

The latest Netflix original is perfectly competent and compelling, though never quite becomes as good as it could be.

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’13th’ Explores the Stark Realities of American Racism (FILM REVIEW)

’13th’ Explores the Stark Realities of American Racism (FILM REVIEW)

Filmmaker Ava DuVernay crafts a powerful narrative that forces all Americans to confront our racist past and racist present.

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Fantastic Fest Top Five: ‘The Invisible Guest’; ‘Raw’; ‘Colossal’ and More

Fantastic Fest Top Five: ‘The Invisible Guest’; ‘Raw’; ‘Colossal’ and More

This year’s Fantastic Fest offered no shortage of great films, but five stand out as the best of the best.

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The Fantastic Fest 2016 Backhalf Recap: High Concept Monster Movies & Low-Budget Lore

The Fantastic Fest 2016 Backhalf Recap: High Concept Monster Movies & Low-Budget Lore

The last four days at this year’s Fantastic Fest showed audiences that original storytelling is alive and well in cinema.

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