
Jonah Hill’s ‘mid90s’ Is An Okay Movie Trapped In A Prison Of Forced Nostalgia (FILM REVIEW)
Remember the 90s? Do you? Do you really?
Remember the 90s? Do you? Do you really?
There’s beauty inside of bleakness, as this thriller suggests.
“The night he should have stayed home.”
It ain’t great but it proves that direct to video doesn’t have to be terrible.
Drew Goddard’s latest is a bloody, paranoid, claustrophobic, fist-pumping delight from beginning to end
La La Land’s director and star reteam for a stunning look at man’s first steps on the moon.
Our critic and his stepdaughter discuss the realities of Bo Burnham’s Eighth Grade.
Even if it’s not really Redford’s final performance, it would still make a great note to go out on.
Would you give up everything for a song? This lofty question is first posed during the captivating trailer of director Scott Smith’s Chasing the Blues. The question is then individually
Knightley stars in a somewhat rote period biopic that ticks all its boxes delightfully.