[rating=3.00] A good idea is a good idea, and there’s a certain amount of credit due towards it for being a good idea. And, for this, I will credit Pixels.
[rating=6.00] I’ve never much been a fan of Amy Schumer’s pretty woman with a foul mouth shtick upon which she’s built her career, at least as it pertains to her
[rating=8.00] As much as I’ve made no bones about my love and appreciation for all things Marvel, the experience of Age of Ultron left much to be desired in my
[rating=8.00] I never hopped onto the Amy Winehouse train. To my cynical mind she was merely the singer who they tried to tell to go to rehab, to which she
[rating=1.00] Congratulations are in order for horror producer Jason Blum, of Blumhouse—the people who brought you Paranormal Activity and Insidious, as every ad campaign of every movie they release is
[rating=5.00] I am of two entirely disparate, irreconcilable minds when it comes to Terminator Genisys. It’s pointless and it’s necessary. It’s dumb and it’s amazing. It’s contrived and it’s original.
[rating=7.00] I’ve never really been a big fan of the mumblecore movement. Granted, I’ve not necessarily been a detractor, per se, as occasionally mumblecore has achieved some interesting moments in
[rating=10.00] In the midst of the summer movie blockbuster extravaganza, it can be easy to forget what it is that makes movies so special. Between all the slow motion explosions,
[rating=6.00] There’s a great movie somewhere in Dope—Rick Famuyiwa’s latest exploration of African-American life in the United States and critical darling of this year’s Sundance Film Festival—and as much as
[rating=7.00] Like so many franchises, the universe of Jurassic Park went from groundbreaking work of cinematic genius to pale imitation in just a few short movies. As stunning as that
