It is a song custom made for a sunny spring afternoon, with its lilting melody and sweetly harmonic vocal trails, reminiscing about people who have made you smile over the
[rating=7.00] As a follow up to her last album, the boldly titled Don’t Be Afraid, Canada’ singer and songwriter Tami Neilson continues to procure a distinctive sound that’s bold, brassy
[rating=8.00] Chuck Westmoreland’s homespun sentiment and tenacious trappings make for a durable combination, one that imbues elements of Tom Petty’s enduring anthems and Jason Isbell’s unceasing insurgency. Little wonder then
[rating=9.00] It’s not exactly a nice feeling when an album reminds you that you’re a bit of a sexist, but it’s an important one to acknowledge. Because if you’re anything
[rating=8.00] Phil Cook delivers the kind of informal gospel-flavored album you could easily associate with a southern church or simply a bunch of friends singing on a back porch. The
Ghost manages to embrace their dark and poppy sides equally on their fourth album.
[rating=9.00] When Ben Howard surged onto the global scene with debut album Every Kingdom, there seemed nothing particularly remarkable about him. Oh sure, his sudden fame was remarkable and a
[rating=8.00] Hearing Neko Case’s voice feels like coming home again. It is all at once powerfully singular and familiar, but still mysterious and bewildering in its beauty. A new Neko
[rating=8.00] Nicki Bluhm had a nice six-year stint going with her band, The Gramblers, playing large venues, mega festivals, and sharing the stage with top grossing acts. Then her marriage
[rating=9.00] On the surface, this may seem like an odd pairing of two legends. Their voices couldn’t be more different with Alvin’s low and rowdy baritone offset by Gilmore’s high
