In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Salvation, the new album from Ontario punks The Penske File, in his signature six-panel comic strip form. Click on the image for full resolution (best
[rating=8.00] Releasing at least one album every year over the last decade, it’s amazing that garage rocker Ty Segall has been able to maintain a consistently high quality over his
[rating=8.00] The Allman Brothers Band’s Cream of the Crop 2003 is hopefully just the first in a series of archival releases under the Peach Picks banner. Comprised of concert recordings
[rating=8.00] One can only imagine what Lori McKenna’s Massachusetts house must be like. She’s the mother of five. She’s also racked up so many trophies (Grammys, CMA, ACM, and AMA)
[rating=6.00] For the second studio release from the experimental guitar noise duo Body/Head titled The Switch, the art rock lifers Kim Gordon and Bill Nace decided for a less structured
[rating=7.00] The Sleazeball Orchestra proudly proclaim they play sleazy stripper jazz and any burlesque show with this soundtrack should be honored as I Ain’t In Love No More manages to
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Bay Dream, the new album from heavy rockers Culture Abuse, in his signature six-panel comic strip form. Click on the image for full resolution (best
[rating=8.00] Last year’s premature passing of Austin singer/songwriter Jimmy LaFave was a tragedy for the music world as a whole, but Americana music in particular. LaFave’s songs were both poignant
[rating=7.00] There’s nothing immediately striking about AHI (an acronym of Ahkinoah Habah Izarh’s name and pronounced ‘eye’), and that seems to suit him well. Humble is an oft overused word,
[rating=7.00] Anyone who’s ever heard even a few notes culled from any Cowboy Junkies album released in the past 30 years will attest to the fact that they’re hardly the
