[rating=8.00] The Mountain Goats are an odd bunch, not in the sense that their music defies description, but rather in the way they seem to shift their template from album
It’s hard to believe that on Wednesday night on May 17th, Gov’t Mule marked show number 2000.. Warren Haynes celebrated the milestone the only way he knows how; he invited
[rating=8.00] If you’ve ever been to a Low Cut Connie show, you’ve been a part of that infectious, booty-shaking, head-banging energy they bring to every performance. It is undeniable and
[rating=7.00] In its loose, all-instrumental camaraderie, guitar hero Harvey Mandel’s late 2016 winner of an album, Snake Pit, favorably recalled Jeff Beck’s halcyon jazz-rock fusion work Blow by Blow. And
In the newest installment of Wannabe, artist Chris Prunckle reviews Sidelong, the new album from country-punks Sarah Shook & The Disarmers, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop): Read
[rating=7.00] It’s been over thirty years since the members of Nashville’s Raging Fire have released an album, but you would hardly know it from their new release These Teeth Are
[rating=8.00] New Haven, Connecticut’s prodigal son, Mark Mulcahy, is a true artist. The front man and songwriter for college-rock pioneers Miracle Legion and Polaris (the latter best known as the band
[rating=9.00] Lennon and McCartney. Laurel and Hardy. Peanut butter and jelly. Politicians and pontificators. Some combinations are so in sync, they’re not only the sum of their parts but all
[rating=7.00] While the heyday for shoegaze ended in the mid-nineties when brit-pop came onto the radio waves, the past few years have seen a new resurgence in popularity of the
[rating=8.00] The Nashville five-piece Los Colognes third studio album The Wave is a pristine work of bright indie/dream pop that brightens any speakers it flows through. It is an ear-catching,
