[rating-7.00] The latest in the ongoing series of The Chris Robinson Brotherhood’s live concert releases, Betty’s Blends Vol. 3: Self-Rising Southern Blends, doesn’t exhibit quite all the discernible logic of
[rating=7.00] Matthew Logan Vasquez is all grown up. The Delta Spirit frontman is continuing his journey as a solo artist, following up last year’s Solicitor Returns with his newest release,
[rating=8.00] Sarah Shook is not concerned with sounding pretty for you. But that’s what makes her music so damn beautiful. On her new record Sidelong, Shook and her band the
[rating=9.00] Robyn Hitchcock is, by most people’s definition, a curious fellow. His random musings about life and happenstance make both his music and his persona as charming as they are
One week after dropping a new album, Be Myself, that is stylistically more similar to her music in the 1990s than anything released in the last decade, Sheryl Crow treated
[rating=8.00] When you bring up the Danish band, Mew, the majority of Americans will assume you are talking about a Pokemon character – rather than one of the most uniquely
[rating=8.00] The four-piece jam band from Vermont known as Twiddle has now released the second half to their long-winded double album experiment, PLUMP. Spanning the course of two years and multiple
[rating=9.00] In most cases, so-called “supergroups” are best described as the sum of their parts. It’s fortuitous then to find a band such as BNQT creating a unified sound that
[rating=6.00] For his tenth solo album Gargoyle, Mark Lanegan builds upon the sonic territory of his last release, 2014’s Phantom Radio, with a collection of gothic pop rock peppered with
[rating=9.00] In an interview with Salon a few years ago, Thurston Moore stated: “What I do as a songwriter, sitting alone with my guitar writing a song, it’s going to
