[rating=8.00] Moth, the third album from Brooklyn duo Chairlift, is the band’s boldest statement yet, adding an urban edge to their synth pop sound. Singer Caroline Polachek has learned to
Mike Patton, Tunde Adebimpe, and doseone break bold new ground with their collaborative project, Nevermen.
[rating=8.00] As their website so proudly and accurately notes, Let Me Get By is an album of firsts for the Tedeschi Trucks Band. Their debut for Fantasy Records, this early
In the newest installment of Wannabe, artist Chris Prunckle reviews Frank Turner’s latest album Positive Songs For Negative People in his six-panel comic book form. Click on the image for full resolution: [youtube id=”P4IZbCl6iR4″ width=”630″ height=”350″]
[rating=9.00] The rapturous cross of post-punk and noise edginess upon Savages 2013’s Silence Yourself marked one of the strongest records of that year. Leading the charge with lyrical deconstruction of
[rating=8.00] Let’s be honest with ourselves: every Bloc Party album that gets release, we secretly hope will be as tremendous as the band’s 2005 debut album, Silent Alarm. For a
[rating=7.00] Tortoise begin The Catastrophist auspiciously, much like their long experimental career— introducing us to synth keys that belong in the 8-bit realm medium. It eventually teeters off into normal
[rating=6.00] Nineties nostalgia seems to be at an all time high, which may be what draws listeners to the new record Here’s to Almost from the Virginia-based trio Feral Conservatives.
[rating=6.00] Ty Segall is unstoppable. Releasing new music at an alarming rate, the young shredder has no shortage of things to say and noise to make. In fact, on the
[rating=7.00] Phoenix based dance rockers Harper and the Moths have got a plan and it has nothing to do with being confounding or bland – however that doesn’t mean there
