[rating=9.00] We’ve heard this story before. An extraordinarily talented artist cuts one perfect record and, too often under tragic circumstances, the album is lost in time. Then, years later, a
The incense was lit. Classical music and Nordic metal flowed out from the PA’s into the ears of the horde that had gathered at the Mohawk on Saturday night. Like
[rating=9.00] It is a rare and astounding privilege to be able to watch the evolution of a young artist over the course of only a few years. And thanks to
[rating=7.00] Don’t be fooled by the name. Wild Child aren’t nearly as unhinged as their handle might otherwise suggest. And yet, they’re no fools either, the handle of their third
[rating=7.00] With his third full-length album Age of Transparency, Autre Ne Veut (real name Arthur Ashin) continues to explore the fringes of post-R&B. He expands upon the eclectic experiment on
[rating=9.00] Somewhere between the sparse, sly delivery of Mark Sandman’s Morphine and the formidable big brass sounds created by acts like Tower of Power lies Josh Hoyer and Soul Colossal.
[rating=7.00] It’s a strange title. Likewise, it’s not immediately clear what it might refer to. If one was a marketing guru and wanted to play off it in some strange
[rating=6.00] You’d hardly be blamed if you questioned why, after 45 years, Billy Gibbons felt the need to make a solo album. After all, he’s one third of ZZ Top
[rating=7.00] U.S. Elevator cite some formidable sources of inspirations on their self titled debut — The Beatles, Neil Young, the Hollies, and Gram Parsons among them. The similarities aren’t all
[rating=8.00] ChessBoxer’s public profile has leapt upward dramatically concurrent with their collaboration with Warren Haynes (and Jeff Sipe) on the road during the fall of 2015. It only makes sense
