Matthew Logan Vasquez Delivers Purposeful Mood Shifting Experimentalism On ‘As All Get Out’ (ALBUM REVIEW)
Matthew Logan Vasquez admits he doesn’t like linear albums, stating they should be like life, disorderly. As All Get Out certainly has that feel, things shift in different directions, moods, and genres, sometimes shockingly so, from track to track. The Delta Spirit frontman has a few solo albums to his name, and they all share […]
Mac DeMarco Adds Daryl Johns To Record Label – Listen To Instrumental “Gabriel”
For a few years now, the multi-faceted and highly regarded artist Mac DeMarco has been wearing the same hat with the same yellow square on it. This yellow square represents Mac’s Record Label, a start-up of DeMarco that was primarily used to release his own work, along with select releases from artists like Vicky Farewell […]
Ian Jones Pens Impactful Tunes Through Impressive Americana on Debut LP ‘Results Not Typical’ (ALBUM REVIEW)
To hear Seattle musician Ian Jones describe his childhood, he and his siblings were raised by a single mom, they were “bread-and-cheese-line poor” and his babysitter was a record player. And if Results Not Typical, his debut LP, is any indication, he had a hell of a record collection. Across 11 tracks, you can hear the […]
Worriers Usher In New Ear Of DIY Punk On Intimate ‘Warm Blanket’ (ALBUM REVIEW)
Warm Blanket, out April 7 via Ernest Jenning Record Company, was entirely produced and written by Denitzio themselves in the comfort of their own world, although comfort is far from a descriptor for the new LP. Over the course of 30 minutes, you are thrown into a whirlwind of revealing yet clever songwriting and arrangements that feel full despite their simplicity.
Saxophonist Walter Smith III Makes Blue Note Debut With Evocative ‘still casual’ (ALBUM REVIEW)
It seemed inevitable that saxophonist and composer Walter Smith III, who has produced and appeared as a sideman on several Blue Note projects, would eventually join the stable of the label’s artists. With his debut, return to casual, Smith III follows up his 2014 self-released still casual with nine originals and one new arrangement of […]
Newski Enlists Musical Pals from Nada Surf, Red Wanting Blue, The Verve Pipe and More on ‘Friend Rock’ (ALBUM REVIEW)
Brett Newski, the hardest working guy in indie rock, has built a career out of DIY hustle and some truly great songs. For the past decade he’s been traveling the globe playing everywhere from dingy basements and coffee shops (and random Wal Marts) to major festival and theater stages – playing with bands like the […]
Dan Horne (Circles Around The Sun) Echoes Classic Psych Folk Vibe On Vibrant ‘Count The Clouds’ (ALBUM REVIEW)
From the opening strains of Dan Horne’s debut full-length studio effort, Count The Clouds, it’s obvious the L.A.-based musician is entering some uncharted musical territory.
Carolina Story Turn Turmoil and Change into Poignant Song Craft on ‘Colors Of My Mind’ (ALBUM REVIEW)
There’s a reason Colors of Mind, the latest from Carolina Story, is not exactly a feel-good album. Ben and Emily Roberts, the husband-and-wife duo that make up Carolina Story, had just parted ways with their label and entered the studio shortly after to exorcise some creative ghosts. In that studio, the two sang about turmoil […]
Mudhoney Prove Angry As Eer On Politically Charged ‘Platic Eternity (ALBUM REVIEW)
On the politically charged Plastic Eternity, vocalist and songwriter Mark Arm & Mudhoney directs that anger at those destroying the environment, at the media, at right-wingers, and at anyone else who drew his ire during the pandemic.
Brandee Younger Transcends The Harp In Makaya McCraven Produced ‘Brand New Life’
Harpist and composer Brandee Younger turned heads and achieved a Grammy nomination for her 2021 Impulse! debut Somewhere Different and follows up that effort with Brand New Life which is mostly inspired by the work of pioneering harpist and composer Dorothy Ashby,
‘The Who With Orchestra Live At Wembley’ Shines Up Classic Era Hits (ALBUM REVIEW)
It’s no small irony that the ensembles billed as the Who since approximately 2004 have more accurately replicated the layered density of the group’s best studio albums than the original quartet did (even with the use of backing tapes). But it’s an irony of mammoth proportions that the two surviving members fronting these groups, vocalist […]
Boygenius Meet Lofty Expectations With Bold ‘The Record’ (ALBUM REVIEW)
Boygenius is composed of three incredibly strong songwriters, although that’s not how they maneuver through their debut album.
The Hold Steady Go Fully Locked In On Powerful ‘The Price Of Progress’ (ALBUM REVIEW)
On The Price of Progress, The Hold Steady is fully locked in as they deliver an evolved, cinematic offering of their barroom tales of relationship hardships around broken hearts calcified by more than recreational drug use.
Those Pretty Wrongs (Jody Stephens/Luther Russell) Reveal Dynamic Lo-Fi Interplay On ‘Holiday Camp’ (ALBUM REVIEW)
The combined versatility of Jody Stephens and Luther Russell, a/k/a/ Those Pretty Wrongs, is the definition of synergy in actio
Wild Child Find New Inspiration with Expansive’End Of The World’ (ALBUM PREMIERE)
The frenetic title track off of Wild Child’s fifth LP has some pretty dark origins. “End Of the World” was written towards the end of the massive 2021 ice storm that paralyzed Texas ultimately killing hundreds as a result of hypothermia and carbon monoxide poisoning. But Wild Child were able to channel that uncertainty and […]
Nubya Garcia, Shabaka Hutchings, Theon Cross & More Concoct On 2-LP ‘London Brew’ (ALBUM REVIEW)
What began as a plan for a live performance at London’s Barbican in honor of the 50th anniversary of Miles Davis’ Bitches Brew in early 2020, inevitably postponed by the pandemic evolved into this massive 2LP project London Brew.
Wannabe Reviews Pony Bradshaw’s ‘North Georgia Rounder’
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on North Georgia Rounder, the new album from singer-songwriter Pony Bradshaw, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop):
VOLORES Lean Into Dark and Moody Sounds on Debut ‘Ages’ (ALBUM REVIEW)
Nathan Maxwell is best known for his work as the bassist of Flogging Molly. When you learn that he has a new project, you might expect that it’s another punk band. That’s not the case. VOLORES is a project with his singer-songwriter wife Shelby. On their debut album Ages, they refer to their sound as […]
On ‘Doctor Moan’, Peter Case Thrives On Immediacy & Soulful Vulnerability
By the time Peter Case concludes the roughly forty-five minutes or so that is Doctor Moan, he has fully reconfigured a new persona for himself in line with the album’s title
Crazy Horse Take A Different Path On Windy ‘All Road Lead Home’ (ALBUM REVIEW)
In keeping with its artist billing, All Roads Lead Home is not a Neil Young and Crazy Horse album in the usual sense of the word. Rather than a group effort whereby the four-piece band collaborates to play music composed by the Canadian rock icon, it is a collection of tracks recorded by the individual members, with varying lineups of […]