Archive: 2003

Dave Matthews will be touring with Trey Anastasio, Brady Blade, Tony Hall, Ray Paczkowski and Tim Reynolds, with “special guest” Emmylou Harris and her band, Spyboy. It’s not clear if Harris will be opening for Matthews, or playing with him. The twelve-stop tour will take Matthews and company around the country, with dates in Pennsylvania, Rhode Island, Massachusetts, New York, Connecticut, Illinois, Washington and California. The date that the tickets go on sale to the general public has not been announced, but the DMB fan association, Warehouse, will have a lottery period running from October 9-October 20.
Source nancies.org.

A year after the death of founding member Jam Master Jay, rap act Run-D.M.C. will be release on October 28th

i]Lost and Translation is full of beautifully composed camera shots and culturally pertinent one-note punch lines; yet director/writer Sofia Coppola

The trouble with being a screenwriter is the irony that you are invisible to those who see your work. On the other hand, maybe that

Just as the lines of diverse music genres have continued to outgrow preconceived labeling, the world of “extreme games” is experiencing it

For nearly two decades, Michael Franti has ignited live music with an outspoken spark that signifies revolution, change and awareness. From the black industrial sounds of the Beatnigs in the 80

Since 1976, Harvey Pekar’s intimate worldview has been captured and published in his own comic book American Splendor. The first comic book of its kind, it truly is nothing more, and nothing less, than the everyday that is Harvey Pekar. And now that unique, and at the same time universal perspective of the 9-5 working man negotiating his way through the ordinary and absurdity of life is on silver screens across the country.

The Dandy Warhols bring a sound and style derived from a wide array of music’s past – the junk-culture references of Lou Reed and the Velvet Underground, the glamour/flamboyance of Duran Duran, and the seductive swagger of the Rolling Stones.

Since Allan Woody

The recent surge in singer-songwriters has given pop music a certain level of respect it once had, before losing it to over-sensationalized choreography and flashy outfits for teens. The acoustic rhythms and lyrical sincerity of the genre are free from the over-produced work more elaborate pop-rock stars inevitably succumb to. While still simple in structure, this reflection back to the roots of songwriting has resurrected an industry plagued with turmoil and profit-loss with it’s little touch of integrity. And now, as The Incredible Moses Leroy is beginning to prove, the category no longer must be synonymous with a solo mic and acoustic guitar, but free to embrace all of our creative contemporary outlets.