Archive: 2010

Chapel Hill’s Memorial Hall practically quaked with spiritual energy during the recent Down By The Riverside tour stop. Featuring two of America’s musical treasures, The Preservation Hall Jazz Band and The Blind Boys of Alabama, the tour was a showcase of New Orleans music and also a broader tribute to America’s disappearing roots music legacy. The tour concluded on a busy, chilly night in one of the state’s most appropriate venues, and the reverent audience became part of the show on more than one occasion.

Preservation Hall performed in missing man formation due to the unfortunate health issues of longtime bassist Walter Payton. Always the consummate professionals, the septet delivered an engaging, virtuosic performance with the expected perfection and vibrancy. There’s been a changing of the guard and an injection of new talent into the rugged old jazz machine, though the incestuous NOLA music scene tends to keep a lot of last names in place. Director Ben Jaffe, who took over the position from his father, leads a diverse and seasoned group whose ages range from mid-30’s to somewhere in the realm of 70.

Bonded by a tensile musical education that can only be achieved by coming up in New Orleans, the band surged through over an hour of music, touching on many of the city’s most beloved sounds. The classic, Dixieland-ish New Orleans sound dominated the set, but a few of their selections surprised me. I don’t remember their sets including as many be-bop, blues and boogie excursions when I saw them last, but that was ten years ago. Even institutions as staunch as PHJB evolve over time, and they seem to have found fertile, elusive middle ground between the hundred-year-old jazz traditions and more modern ideas – provided your idea of “modern” includes the 1960’s. READ ON for more from Bryan on this fantastic show…

As we eagerly await My Morning Jacket’s return from a year-plus hiatus, Jim James has kept himself busy during the downtime. First as a member of Monsters Of Folk and now with his latest project – the launch of his very own record label. The MMJ front man, along with his cousin Johnny Quaid, will […]

Our buddy Jeff Weiss and his friends put together this hilarious video of the scene in the parking lot at Festival 8. Check it out… Phish Parking Lot – Brilliant Comrades

Bill Payne, Paul Barrere and their cohorts in Little Feat are probably well aware that they could coast on the strength of the catalog and get away with it. Little Feat’s output, taken as a whole, is not only humbling in its accomplishment but still underrated enough as to have ardent fans who are fiercely protective of it. In other words, a stock setlist with Dixie Chicken and Willin’ as the centerpieces, performed with minimal gusto, would be enough to do the job and enough to keep Little Feat-headlined concert halls comfortably packed. The songs are friggin’ beautiful, and so very loaded — they’d lend nicely to a revue, wouldn’t they?

That it isn’t that way is precisely what makes the Little Feat touring apparatus so compelling. It’s a more streamlined unit than in the past — Shaun Murphy’s vocals are missed, and drummer Richie Hayward is sidelined in cancer recovery — but its members dig deep, radiate a love of these songs and a pronounced interest in their care and feeding, and even on an off night, can pull some terrifically groovy and expansive improvisational flights from the guts of well-worn jamming vehicles. It’s what keeps them fresh — Little Feat shows sound so damn fresh — and is why I push Little Feat on those who’ve either never had the pleasure or are still convinced Little Feat went under when Lowell George did.

In recent visits to the Big Apple, the band’s favored the Concert Hall at the New York Society for Ethical Culture: a pretty place for sure, with good acoustics and a comfortable vibe. It wasn’t quite full — I’d guess about 75-80 percent, with low-end tickets north of $50 with fees — but the Feat brought the heat for two hours, leaning hard on bluesadelic jams that favored carving songs out from within more often than straight, with you-solo-now-you-solo structures.

READ ON for more from Chad on Little Feat in NYC…

Widespread Panic performing their new year's eve show in Atlanta, GA.

The Dropkick Murphy’s have captured the intensity and camaraderie of their annual Boston hometown St. Patrick’s Day shows on ‘Live on Lansdowne’ a CD and DVD set for release March 16, 2010 via the group’s own Born & Bred Records (ILG).  ‘Lansdowne’ features 20 fan favorites and was recorded at seven Boston shows in March […]

Rhode Island trio The Low Anthem will embrace an exciting new decade by headlining their first North American tour in March and April and making their US television debut on the Late Show with David Letterman this Thursday, January 14th. They will also spend much of February supporting The Avett Brothers on the road. THE […]

Sea Wolf burst into 2010 riding the wave of one of the biggest cultural phenomena in recent memory, "Twilight: New Moon," the wildly successful vampire franchise, with original song, "The Violet Hour." This followed the release of the band’s acclaimed sophomore album, White Water, White Bloom, on Dangerbird Records, as well as a national headline […]

TO Records is thrilled to announce that Dawes has confirmed a co-headlining winter tour with Cory Chisel and the Wandering Sons. The dates will kick off on February 5th at the Crepe Place in Santa Cruz, CA, and loop around the country, culminating with a show in the band’s hometown of Los Angeles, CA, on […]

What John Coltrane ultimately did with the lessons he learned and taught himself, for the period from 1956 through 1958, is what elevated him to the jazz pantheon. The previously-released companion piece “Fearless Leader” arguably illustrates that aspect of his career more fully than this five CD box set, but this set demonstrates how even as he honed his chops, Coltrane was a commanding presence. Virtually all the music contained in this package is vintage jazz of the highest order, but when that readily-identifiable horn begins to sound, the music ceases to become mere background.

Tori Amos has made a career out of being unordinary, and most of her albums are better because of this fact. Here on Midwinter Graces, she’s still giving a max effort, it’s just that not much stands out. The holiday-themed album has a nice overall feel and flow, but it’s probably best served for background music at a party, something that can’t be said of any of Amos’ prior work. If you’re an Amos completist, by all means, get your copy—just don’t expect the magic you’re used to.

All year long, we’ve noticed the writing of blogger Scott Towler for his Great Scott! blog and have really enjoyed what we’ve read. Last week, Scott wrote a great piece giving his opinion on how the year 2009 played out for jam-rockers Phish. If you missed it, here’s the article in its entirety…

[All photos by Jeremy Gordon for Glide/HT]

2009, the year that marked Phish’s return from a five-year hiatus, has come and gone. The end result? Phish is back! The band performed some 48 shows over five distinct periods: their official reunion at the Hampton Coliseum, an early summer tour, a late summer tour, Festival 8, a fall tour and the new years run in Miami just last month.

According to phish.net, this also marked Phish’s most diverse year in all of their 26 so far with over 244 unique songs played in 2009. And while the band has always prided themselves on the diversity of their set lists, it goes a little deeper in the age of Phish 3.0. Unlike years past where a die-hard fan could determine the band’s mood based on the length of their jams and how they segued from one song to the next, 2009 was completely unique. Song choice played a much larger role for the group than it ever has, and the jamming, while still prevalent, became more concise. While many could contend that this marks the end of the Phish “we all know and love,” I would argue against that. The band is communicating in a new way while still using the same language, it just may take a more active listener to appreciate it.

READ ON for more of Scott’s thoughts on Phish in the Age of 3.0…

Last Week’s Sauce features recordings of shows from the previous week.

[Thanks to newplanet7 for this week’s photo]

Artist & Title: Cracker – Eurotrash Girl
Date & Venue: 2010-01-09 The Cubby Bear Lounge, Chicago IL
Taper & Show Download: Brian Emerick

I’m a sucker for live song introductions. When I saw there was a separate 5-minute long track introducing Eurotrash Girl, probably my favorite Cracker song, I was intrigued. Turns out it’s not so much an explanation of the song, but a rambling story that spans continents about different times he has told the same story. It’s worth checking out. The song follows. Cracker is on tour with Camper Van Beethoven (the groups share two members) and they play tonight in Philadelphia before the co-bill heads to NYC, Toronto and Cambridge, MA.

READ ON for tracks from Marco, PGroove, Project/Object and The Ragbirds…

When the lineup for this year’s New Orleans Jazz and Heritage Festival came out a few weeks back there was a big TBA spot among the listings for the first weekend. Rumored acts supposedly filling that spot ranged from The Who to Phish to Eric Clapton and Jeff Beck, but last night we found out […]

Prior to watching a recent episode of Elvis Costello’s Spectacle, I had never heard of singer-songwriter Jesse Winchester. Winchester’s unique story involved him moving to Canada to avoid serving in the Vietnam War, having his self-titled debut album produced by Robbie Robertson and not being allowed to tour the US until being granted amnesty in […]

Happy New Year, Hidden Track enthusiasts and fellow Umphreaks. Welcome to another addition of Dream Focused, where I share some of my favorite Umphrey’s McGee jams in an attempt to show why I love this band. UM’s Fall Tour started right where the last one left off with the band in peak condition stretching out songs and focusing on the groove.

[Photo by Tammy Wetzel]

We begin with Example 1 from Traverse City. Like Wormbog, Example 1 has been getting “the treatment” of late and this is the most shining, dare I say, example. Opening the show and clocking in at 17 minutes, this Example 1 jam starts with a Willie The Pimp-esque funk groove as the A section and a Drum and Bass B section that is spacious and picks up intensity.

Hey 19 is one of the only covers to get stretched out in the new jam style and this version is a beaut’, Clark! Enjoy.

Next, we hop on over to House of Blues in Clevetown. Before I get into the Kabump, please enjoy this promo video for “The Town Lebron Owns”…

READ ON for a laid-back Kabump, a funky Intentions Clear and a rage cage-worthy JaJunk complete with a FF cherry on top…

As her Australian label, Spunk, has confirmed, Joanna Newsom will release her third studio album, titled Have One on Me, on February 23rd.  This is her first release since 2006’s Ys.

Last spring, performers Paul Simon and Art Garfunkel caused waves of excitement in the music industry when they announced that they would tour for the first time in five years. But when the summer 2009 routing was revealed to be only for Australia and New Zealand, the duo’s stateside fanbase was left wondering whether they […]

According to a Memphis based newspaper, Jay Reatard has in fact died. He was 29-years old. Memphis’ Goner Records is also confirming the death. A posting reads: “It is with great sadness that we report the passing of our good friend Jay Reatard. Jay died in his sleep last night. We will pass along information […]

While I haven’t had a chance to listen to HT Faves Vampire Weekend’s new album, Contra, since returning from Jam Cruise, everyone either seems to love or hate the disc – which is about par for the course with this band. To help promote Contra, the group filmed an episode of MTV’s Unplugged back in […]