SONG PREMIERE: The Calvary Nightingales Inject Freshness into Sacred Soul with “My Robe” off ‘The Last Shall Be First: The JCR Records Story, Vol. 2’

Following the widespread critical acclaim lavished upon Vol. 1 everywhere from NPR to Mojo, Bruce Watson’s Bible & Tire Recording Co. is set to release The Last Shall Be First: The JCR Records Story, Vol. 2 on June 18th. Showcasing seventeen long-lost tracks culled from over 170 reels of tape discovered in a foreclosed shack outside Olive Branch, MS, the collection is a stunning time capsule of ‘70s sacred soul music captured in Memphis, TN, by radio DJ, Air Force veteran, and Baptist Pastor Juan D. Shipp for his JCR Records, an imprint of his D-Vine Spirituals label.

The unlikely story behind these extraordinary recordings dates back to the early 1970s, when Shipp began looking for a way to close the gap in sound quality between releases from the large sacred soul labels and the smaller, more local outfits. After stumbling onto Sun Records artist Clyde Leoppard’s Tempo Recording Studio above a burger joint in downtown Memphis, TN, Shipp embarked on a new career as a producer, recording more than 75 acts over the course of 13 years. While D-Vine Spirituals was Shipp’s flagship label, he and musicians and producers Charles Jones and Robert Bowers also recorded a variety of other artists for a secondary label named JCR, which, though perhaps a bit more rough and ready, still featured Shipp’s trademark stellar audio quality and a distinctive sound marked by deep and beautiful vocal harmonies, up-front guitar, grooving bass, explosive drums, and an ever-present overtone of rhythm and blues and country and western.

While some acts like The Calvary Nightingales and The Spiritual Harmonizers return from Vol. 1, Vol. 2 features a host of new voices including The Sons of Harmony, The Faithful Travelers, and The Canton Spirituals, whose electrifying performance of “Leaning On the Lord” absolutely leaps out of the speakers. Like Vol. 1, the songs here showcase the broad range of sounds that fell under the sacred soul umbrella, from the high-octane shuffle of The Dixie Wonders’ “Stand By Me” and the doo-wop waltz of The Bible Tones’ “Never Grow Old” to the bluesy shout of The Dixie Harmonizers’ “When I’m Gone” and the smooth R&B of The Chosen Wonders’ “Be So Glad.”

Released in 2020, The Last Shall Be First: The JCR Records Story, Vol. 1 was widely hailed as essential listening, a living, breathing time capsule capturing of an entire region during a particularly fertile moment in its social and musical history. NPR’s Weekend Edition spoke with Shipp, now in his 80s, and music historian Michael Hurtt, who penned the collection’s liner notes, raving that the compilation “aims to give a second life to some memorable performances that almost disappeared forever.” Mojo gave the collection four stars, calling it “a righteous riot,” while American Songwriter praised it as “some of the deepest, rawest, most moving and little heard” sacred soul music out there, and the Memphis Flyer proclaimed that “the electricity of these performances will make the hair stand up on the back of your neck.”

Today Glide is excited to offer a taste of the upcoming compilation with an exclusive premiere of The Calvary Nightingales’ “My Robe.” With a deep groove that seems to balance blues and early funk, the 70s tune captures the magic that was made by Shipp and the bands he worked with. While sacred soul is a fitting label, what makes this music so intriguing and timeless is the way the The Calvary Nightingales take a foundation of gospel music and inject it with modern sensibilities of the era. We hear sharp blues guitar with a funky rhythm, soulful singing, and soul-meets-doo wop background harmonies, all coming together to form something that departs from traditional spiritual music. And though this music is religious, the sheer musicality of it makes it resonate in a universal way. If this one track is any indication, the entire collection is a must-own for record collectors and classic soul lovers.


Photo credit: Juan D. Shipp

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