[rating=7.00] Over the course of No-Man’s six studio recordings, singer/songwriter Tim Bowness wrote some of the most poignant lyrics in the realm of modern music. With multi-instrumentalist and progressive rock
[rating=6.00] On Mutineers, David Gray’s first release in four years, the problem is not that he has left the building, but rather that he is lost down a better forgotten
“Cusp of Eternity” probably won’t appeal to the band’s early fans, but it’s another step in their fascinating sonic journey.
What ‘A Dotted Line,’ Nickel Creek’s first studio LP in nine years, made clear in CD format is even truer live: This trio hasn’t lost a step.
unlike ‘’Round the Sun’’s nauseating cover art, this is a smooth ride through and through.
What makes this performance so stellar is that it never feels like imitation, even really good imitation.
The albums that make up this list reflect metal’s increasing ability to outgrow people’s conceptions of it, in the process making progress not just for itself, but all the other genres it’s come to challenge.
It’s tough to argue against his stature as the progressive rock icon.
Brice Ezell puts a spotlight on Elliott’s overlooked ‘Songs’ trilogy.
It’s immersive in exactly the way instrumental music should strive to be — it doesn’t insist upon its own epic qualities.