[rating=8.00] One of his generation’s most prolific artists, Ty Segall seems to be an endless well of creativity. He cannot be contained, and his latest release in a long string
[rating=7.00] Though we didn’t even know it, we have been waiting for the new collaboration record from Will Kimbrough and Brigitte DeMeyer. It has been a wait because the duo
It’s been awhile since Caitlin Rose has graced a New York City stage, but she did just that, albeit a bit nervously last Thursday at Mercury Lounge with Daniel Romano.
[rating=8.00] Jim James has become a kind of thought leader in modern music, putting his feelings about politics, the world and humankind right out in the open and continuously pushing
[rating=8.00] Paul Cauthen is singing the gospel of the blue collar man. His deep toned voice goes down like a rich, dark stout, calling to mind a young Waylon Jennings.
[rating=7.00] How do you pay tribute to an artist as brilliant and singular as Elliott Smith? By assembling an impressive list of artists to interpret his work and make it
[rating=8.00] That old school folk drifter sound is what you’ll get from Luke Roberts’ earthy new album Sunlit Cross. It’s a breath of fresh air, beautiful and bright, with pared
[rating=8.00] From the start, it’s always been a bit of challenge to pin Jonny Fritz down. His brand of “silly country” feels so unique to him, it’s hard to compare
If you want to hear the most angelic sound, listen to Sara Watkins sing “Like New Year’s Day” off her new record Young in All the Wrong Ways, to a
[rating=9.00] If, like me, you were one of the devout followers of Hiss Golden Messenger’s 2014 record Lateness of Dancers, one of the year’s best, than you’ve likely been waiting
