Julia Jacklin’s Don’t Let the Kids Win was one of 2016’s best offerings. Aussie-born Jacklin and her band pair lyrics about deep fears, rejection, and self-realization with a mix of
The rockabilly crowd came out in droves to see JD McPherson and his band tear up the dance floor with their fiery, rock and roll grooves. at Brooklyn’s Music Hall
Kacy & Clayton are astoundingly good. A cousin duo that hails from Canada, their sound is like something that was beamed down from a bygone era. It’s psychedelic, mystifying, haunting
[rating=8.00] I deserve to occupy this space/Without feeling like I don’t belong,” sings Jessica Lea Mayfield on the title track off her new record Sorry Is Gone. It’s a gut
[rating=7.00] It’s been four years since we’ve heard from New York City duo Cults, and things have shifted a bit since their last release, 2013’s Static. Specifically, they’ve leveled things
[rating=6.00] Not exactly fresh off the heels of their highly acclaimed 2013 release Essential Tremors (a triumph of headbanging southern rock and roll), J. Roddy Walston and the Business have
[rating=7.00] When Dave Lamb of Brown Bird passed away in 2014, the loss felt so great and the future of the band felt so uncertain. Lamb’s bandmate and wife Morgan
[rating=7.00] Tom Brosseau has the kind of voice that makes you lean in just a little closer to hear it. It is arresting and beautiful, completely unique. At once delicate
[rating=7.00] Whether you know Cory Chisel from his last record, 2012’s Old Believers, or from his more recent stint as one third of the super group Traveller (with Robert Ellis
Newport Folk Festival’s third day always moves just a little slower. The first part of the day – as groggy festival-goers wander in a bit later – is packed with
