During the pandemic, the prolific Eric Krasno had to slow down like the rest of the world and in doing so he found familial harmony with a new house, wife,
On 2018’s Black Heaven the San Diego-based, instrumental psychedelic trio Earthless completely shifted gears, scaling down their flights of fury to verse/chorus/verse hard rock offerings with singing. That change in
On St. Paul and the Broken Bones debut, 2014’s Half The City, the eight-piece group joined a list of retro-soul purveyors, yet every release since then has found the band
On Extreme Witchcraft, the always willing to experiment Eels has given fans something to sink their teeth into. The fourteenth studio album finds Mark Oliver Everett working with John Parish
The New Orleans underground cabaret jazz outfit The Sleazeball Orchestra has released their second full-length album, Pearl River Tango. The collection is a mix of simmering originals, risqué covers, and
Chan Marshall has always gravitated toward cover tunes and Covers is her third full-length album dealing with songs written by other artists that she deeply relates to. Stating that, “Performing
The jazz is always flowing down in New Orleans, but in the early, to mid-’80s there was an extra sense of excitement every Tuesday night when the Dirty Dozen Brass
For the 7th Annual John Henry’s Friends Benefit for the Keswell School Steve Earle and company raised the most money in the fundraiser’s history at a time when it is
Marissa Paternoster’s Peace Meter finds the fiery guitarist from Screaming Females forgoing blister raising solos and guttural yelps in favor of dark pop efforts with haunting vibrations and experimental flourishes.
The story of Leo Nocentelli’s first solo album arriving fifty years after it was recorded is amazing, a stroke of good luck which gives life to a lost relic from
