Led Zeppelin bassist/keyboardist/multi-instrumentalist, John Paul Jones, has produced and provided instrumental accompaniment to the latest release by the all-female string band, Uncle Earl.
Since 2000, The Jammys serve to honor the best in the jam world while also providing a venue for the scene’s unlikeliest of superstar mash-ups.
Instead of St. Bart’s or St. Tropez, Sexotica could very well be the next hottest jet-set journey. The quartet led by Steve Bernstein on trumpet has released an album, Sexotica, on Thirsty Ear Recordings, basing the disc on Martin Denny’s “Exotica” recordings.
Memphis the Band’s Radio truly has a fitting title. Most of the songs contained therein could be played on any generic radio station.
Calamity works as an eccentric hodge-podge of quirky pop songs, avant-garde sounds, and out-of-nowhere, straight forward, shed rock.
With minimal accompaniment covering traditional folk songs, 900 Mile's interpretations by Bethany and Rufus cover new ground.
Although Infradig’s Clinical Indifference/The Psychology of Breathing purports to be a jazz rock record, it comes across more as mood-making electronic rock, pop, and hip-hop. T
While Martin Dosh has been called a one-man band for his looping techniques and versatile musicianship, his latest disc The Lost Take has an extended family of collaborators.
he members of Rose Hill Drive are young, but don’t let their age fool you. This power trio of throwback rock and roll has enough rock star experience to fill four trips to Europe, while opening for Van Halen, the Black Crowes, and Queens of the Stone Age. The trio will embark soon on their sophomore stint of opening for legendary rockers The Who, traipsing from the west coast to the East, after headlining their own tour in the UK and Amsterdam.
While the term “Southern rock” usually comes from a lack of creativity, it most certainly applies to Capps’, as his drawl, love of whiskey (“Ed Lee”), rough-riding, tenacious sounds, and wisdom beyond his years exudes Southern rock in the truest sense.
