Just as we all age and mature and become less “hardcore," so has Clutch. From Beale Street to Oblivion finds the band continuing their recent trend of moving away from their heavy/ hardcore roots to a blues-based sound that borders on the edge of classic outlaw southern-rock.
Keller Williams’ Dream is a collection of collaborations between Keller and a host of his favorite musical guests that came about from Williams dream of recording an album with his musical heroes. And while there is nothing particularly wrong with this album, it just does not quite take off the way one would expect with the roster of All-Star talent assembled (Bob Weir, Michael Frantic, Steve Kimock, Charlie Hunter, Bela Fleck, John Scofield to name just a few.)
Over two years in the making, Waiting Room serves as the end-piece to career of Addison Groove Project, who after years of uncertainness due to the death of bassist John Hall and the decision of guitarist/ singer Brendan McGinn to attend medical school, finally decided to part ways.
If the Meters and Stevie Ray Vaughn made love the result would be The Bridge.
This new documentary follows Hosoi’s career from young skating prodigy to the top of the skateboard world and his status as a certified “rock star” living a notorious life style with endless money to burn. Thats when his life begins a descent into crystal-meth addiction and an eventual arrest that led to him spending just over four years in a Hawaiian prison.
n the thirty plus years that John & Peter’s has been open, much has changed, styles have evolved, musical trends have come and gone, bands have come and gone, but not much as changed at the tiny New Hope club. John & Peter’s is a throw back to the days when Rock ‘n’ Roll venues were more than just bright lights, big stages, and flashy extras. John & Peter’s serves cold beer, plays the music loud, has small dirty bathrooms, but it is one helluva a good time.
Much as The Grateful Dead did when they got psychedelic on the traditional folk music they grew up on, Toubab Krewe has blended the deep percussive sounds emanating from West Africa and straight ahead rock n’ roll, creating a style that is revolutionary and imaginative.
Seven years in, Devon Allmans’s (son of Greg, nephew of Duane) Honeytribe have finally released their debut album Torch, and it sounds like you would imagine it to – a modern take on the well worn Southern Rock model that has been perfected by Daddy Gregg and Uncle Duane.
Following a series of impromptu jam sessions, The Wood Brothers recorded Ways Not To Lose, a stripped down explosion of folky-blues built around Chris’ distinct bass rumblings and Oliver’s road weary voice and simple, yet soulful guitar. Produced by John Medeski, the brothers’ debut album, was released on Blue Note Records, March 7, 2006.
