Vibraphonist Joel Ross Returns To Blue Note On Improvisational Strong ‘Who Are You?’ (ALBUM REVIEW)

Vibraphonist Joel Ross Returns To Blue Note On Improvisational Strong ‘Who Are You?’ (ALBUM REVIEW)

Last year the young vibraphonist/composer Joel Ross not only made his Blue Note debut which landed on our Glide 20 Best Jazz of 2019 List along with  similar recognition in such prestigious publications such as The New York Times., NPR, and Rolling Stone.  Ross was arguably the star and “MVP” of the 2019 Newport Jazz […]

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50 Years Later: Revisiting Bob Dylan’s Rebound LP ‘New Morning’

50 Years Later: Revisiting Bob Dylan’s Rebound LP ‘New Morning’

Much of Bob Dylan’s work has been subjected to extreme revisionism over the years, perhaps none more so than New Morning. Released in the fall of 1970 (10/19/70), a mere four months or so after the near-debacle that was Self-Portrait, the future Nobel Laureate’s eleventh studio album was hailed as a return to form, at […]

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Will Kimbrough Goes Solo Acoustic On Heartfelt ‘Spring Break’ (ALBUM REVIEW)

Will Kimbrough Goes Solo Acoustic On Heartfelt ‘Spring Break’ (ALBUM REVIEW)

Singer-songwriter-producer, multi-instrumentalist Will Kimbrough is not one to sit idle. Throughout the pandemic, he has been regularly holding virtual concerts from his home, dubbed Pollenfest, constant streaming and blogging through his Patreon page,  producing another Shemekia Copeland album , Uncivil War, (also covered on these pages) which is also released at this same time, and […]

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Harvey McLaughlin Feasts on Jazz and Boogie Woogie Piano on ‘Rascality’ (ALBUM REVIEW)

Harvey McLaughlin Feasts on Jazz and Boogie Woogie Piano on ‘Rascality’ (ALBUM REVIEW)

Maybe it’s the Chinese take out container on the album cover; maybe it’s the werewolf adjacent Yeti in the second track, “I Was A Teenage Yeti”; or quite possibly it’s the fantastic, loose rock piano throughout, but listen to Harvey McLaughlin’s latest and you can’t help but think of Warren Zevon’s “Werewolves of London”. On […]

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Badfinger’s Joey Molland Borrows From Classic Power Pop Model on ‘Be True To Yourself’ (ALBUM REVIEW)

Badfinger’s Joey Molland Borrows From Classic Power Pop Model on ‘Be True To Yourself’ (ALBUM REVIEW)

As a former member of Badfinger’s classic line up, Joey Molland and his bandmates helped create the template for classic power pop, leaning on wildly addictive harmonies and razor sharp hooks – a blueprint that has survived decades and is still employed today. So, it shouldn’t come as a surprise that his latest solo effort, […]

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Guitarist Peter Bernstein Emerges With Elite Quartet on ‘What Comes Next’ (ALBUM REVIEW)

Guitarist Peter Bernstein Emerges With Elite Quartet on ‘What Comes Next’ (ALBUM REVIEW)

Go ahead. Look again at that title: Bernstein very deliberately left off the question mark. Surely, it’s a phrase we have all uttered more than we care to recognize during this uneven, unpredictable and seemingly directionless 2020. One answer may come relatively soon in the form of the Presidential election but now Trump’s illness and […]

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‘Tom Petty Wildflowers & All The Rest: Deluxe Edition’ Proves Well Worth The 25 Year Plus Wait (ALBUM REVIEW)

‘Tom Petty Wildflowers & All The Rest: Deluxe Edition’ Proves Well Worth The 25 Year Plus Wait (ALBUM REVIEW)

The initial posthumous Tom Petty vault release, An American Treasure, suggested ever so strongly that the late rocker was reaching a new level of sophistication in his songwriting at the time of his tragic and unexpected passing. But it’s fair to say that 1994’s Wildflowers was a major step in that very same direction and […]

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The Allman Brothers Band Hit The Archives With ‘The Final Note: Painters Mill Music Fair, Owings Mills, MD 10-17-71 & Warner Theatre, Erie, PA 7/19/05 (ALBUM REVIEW)

The Allman Brothers Band Hit The Archives With ‘The Final Note: Painters Mill Music Fair, Owings Mills, MD 10-17-71 & Warner Theatre, Erie, PA 7/19/05 (ALBUM REVIEW)

Given the checkered history of The Allman Brothers Band archive releases, the issuing of the latest two is more than a little encouraging. Each in its own way adds significantly to the legacy of the seminal Southern rockers, while the pair taken together clearly illustrates why the influence of the group is rightfully growing with […]

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Blues Singer-Songwriter/Harmonicist John Nemeth Delivers Signature Memphis Blues & Soul on ‘Stronger Than Strong’ (ALBUM REVIEW)

Blues Singer-Songwriter/Harmonicist John Nemeth Delivers Signature Memphis Blues & Soul on ‘Stronger Than Strong’ (ALBUM REVIEW)

For the better part of two decades now, blues singer-songwriter, harmonicist and top vocalist John Nemeth has delivered some great soul-blues albums. Yet, his relocation to Memphis seven years ago has deepened his sound, making it rawer and visceral on the blues material, and more traditional and emotive on the soul tunes. It proves to […]

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William Elliott Whitmore Paints Vivid Lyrical Pictures with Dark Folk Sounds on ‘I’m with You’ (ALBUM REVIEW)

William Elliott Whitmore Paints Vivid Lyrical Pictures with Dark Folk Sounds on ‘I’m with You’ (ALBUM REVIEW)

If you’ve ever seen William Elliott Whitmore perform, you know that he is one of those performers whose power comes from the fact that he can provide so much depth with minimal instrumentation. He lands pretty firmly in the folk-Americana arena, but has been known to open for bands like Clutch. I’m with You is […]

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Versatile Drummer Rob Silverman Convenes Top Jazz & Rock Drummers for ‘Drumology’ (ALBUM REVIEW)

Versatile Drummer Rob Silverman Convenes Top Jazz & Rock Drummers for ‘Drumology’ (ALBUM REVIEW)

Master drummer Rob Silverman has spent his career exploring the rhythmic traditions of cultures around the globe, from African drumming traditions to Japanese Taiko music; from Middle Eastern rhythms to Native American drumming; and from Samba to the rock-jazz fusion that lies at the core of his music. These influences come to the fore in his […]

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Low Cut Connie Save & Inspire Us On Fully Realized Double LP ‘Private Lives’ (ALBUM REVIEW)

Low Cut Connie Save & Inspire Us On Fully Realized Double LP ‘Private Lives’ (ALBUM REVIEW)

In 2020, the idea of a double album seems a bit overwhelming. A mix of having to devote every waking moment to politics while worrying about why we live in the only country in the world that clearly doesn’t understand how to survive a global pandemic has seemingly fried our collective attention span. All that […]

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Nikki O’Neill Blends Soul, Blues and Gospel on ‘World Is Waiting’ (ALBUM REVIEW)

Nikki O’Neill Blends Soul, Blues and Gospel on ‘World Is Waiting’ (ALBUM REVIEW)

Nikki O’Neill is an artist who was born and lives in Los Angeles, but spent her childhood in Stockholm in a tri-lingual household. The record player in that house in Stockholm played a lot of records by Al Green and other soul artists. That soul music was absorbed and is now a big component in […]

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Austin’s Avant-Garde Blues Band Churchwood Addresses These Dystopian Times on ‘Plenty Wrong to Go Awry’ (ALBUM REVIEW)

Austin’s Avant-Garde Blues Band Churchwood Addresses These Dystopian Times on ‘Plenty Wrong to Go Awry’ (ALBUM REVIEW)

The term ‘avant-garde blues band’ is an intriguing one, because it doesn’t immediately bring very many names to mind.  In their own experimental style, Churchwood has carved out a rather unique place, using some structural blues, jazz, metal and punk elements– plus a blend of like-minded, lyrically focused artists like Captain Beefheart, Nick Cave and […]

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Yo La Tengo Plays It Heavy On Natural Covers Via ‘Sleepless Night’ EP (ALBUM REVIEW)

Yo La Tengo Plays It Heavy On Natural Covers Via ‘Sleepless Night’ EP (ALBUM REVIEW)

The members of Yo La Tengo are no strangers to covers. Whether it’s their three cover albums, Fakebook, Fuckbook and Stuff Like That There, their fundraising efforts for WFMU in New Jersey, or their extensive live repertoire, the band has proven prolific in their effortless mimicry. Now, that would be a great party trick for […]

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Bahamas Dishes Out Rock, Pop and Rhythm on ‘Sad Hunk’ (ALBUM REVIEW)

Bahamas Dishes Out Rock, Pop and Rhythm on ‘Sad Hunk’ (ALBUM REVIEW)

When one sees the band name Bahamas on an album, they could be forgiven for the confusion they may feel about what type of music it would be. However, the Canadian musician Afie Jurvanen has managed to use that alias to put out five albums to critical acclaim. His brand of singer-songwriter music incorporates many […]

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On ‘Long In The Tooth,’ The Budos Band Kick Out More Infectious Jams (ALBUM REVIEW)

On ‘Long In The Tooth,’ The Budos Band Kick Out More Infectious Jams (ALBUM REVIEW)

Celebrating fifteen years since their debut release, The Budos Band is keeping the party rolling with their newest offering on Daptone Records, the eleven-song collection titled Long in the Tooth. While they have been at this for a while, the group’s commitment to funkified instrumentals has remained razor sharp. Their previous effort, the excellent Budos […]

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Legendary Bluesman Kim Wilson Returns to M.C. Records on ‘Take Me Back (The Bigtone Sessions)’ (ALBUM REVIEW)

Legendary Bluesman Kim Wilson Returns to M.C. Records on ‘Take Me Back (The Bigtone Sessions)’ (ALBUM REVIEW)

Take Me Back marks the return of harmonica/vocalist/songwriter Kim Wilson to M.C. Records after 17 years. It was on that label that he recorded Smokin’ Joint and Lookin’ for Trouble, both of which were nominated for Grammy Awards in the Traditional Blues Category. Wilson goes truly traditional with this new recording, which is similar but […]

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METZ Tones Down Its Roar On Encapsulating ‘Atlas Vending’ (ALBUM REVIEW)

METZ Tones Down Its Roar On Encapsulating ‘Atlas Vending’ (ALBUM REVIEW)

Atlas Vending, the newest release from the Canadian noise trio METZ, aims to broaden their style and appeal while staying true to their junkyard screeching, wailing, and car crusher power. The changes they incorporate work incredibly well and while longtime fans may fear a grown up softening creeping into the band’s sound, there is still […]

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Transcendent Cornetist Ron Miles Makes Blue Note Debut with Familiar Elite Quintet on ‘Rainbow Sign’ (ALBUM REVIEW)

Transcendent Cornetist Ron Miles Makes Blue Note Debut with Familiar Elite Quintet on ‘Rainbow Sign’ (ALBUM REVIEW)

When this writer first heard Colorado-based cornetist Ron Miles it was with the bluesman and fellow Coloradoan Otis Taylor with whom Miles appeared on at least six, if not more, of the trance blues maestro’s albums. Not long after, however, I heard Miles as a sideman on Bill Frisell albums and later as a leader […]

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