Archive: 2005

Jim Morrison may have died nearly thirty-five years ago, but now you can stay at his place any time you like.

The owner of the Los Angeles apartment where the Doors singer lived with longtime girlfriend Pamela Courson before moving to Paris in 1971 (where he would be found dead later that year) is allowing fans to relive a piece of rock history for $200 a night, or $1000 for a week.

To read more, visit rollingstone.com.

In an effort to let all fans be a part of the shows, Widespread Panic have announced the launch of a new website, www.LiveWidespreadPanic.com, in association with nugs net enterprises, where fans will have the opportunity to download concerts in their entirety from select dates. The site will kick off with free MP3 downloads of the first three shows on March 24, 25 & 26 at the Fox Theatre in Atlanta (available only for a limited time).

Powered by nugs.net and its content delivery platform, LiveWidespreadPanic.com will provide high quality soundboard recordings in both MP3 and CD-quality FLAC files. The full-length concerts will be available for $10.95 as MP3 or $15.95 for the higher quality FLAC format. All files are compatible with Windows, Mac and Unix and may be played on the iPod or other portable MP3 players, played in any music jukebox software, or burned to CD. Additionally, each show comes with custom printable booklets, tray inlays, and CD labels. The legions of fans collecting live tapes of the band for 20 years will now be able to tap directly into the band’s soundboard via LiveWidespreadPanic.com and download professionally recorded concerts within days of the performance.

The band has recently released a live album titled Live at Myrtle Beach on Widespread/Sanctuary Records. Despite their time off from touring, Widespread Panic continued to release live CD’s throughout 2004, much to the delight of their fans, including Night of Joy, the acoustic leaning

Like Frank Zappa before him, Green posses an uncanny ability to sing about taboo subjects while masking their identity in short songs. His instrumentation might not approach Zappa

Recording industry executive Andy Gershon sees opportunity in the online file-sharing networks that most of his rivals decry as havens for music pirates. As president of V2 Records, home to such established acts as The White Stripes and Moby, Gershon mines such Internet distribution channels for new fans and revenues.

“The cat is so far out of the bag and so far gone that it’s pointless to keep fighting it,” Gershon said. “I might as well make as many people fans of our music, whether they illegally download it or not.”

A number of mostly independent recording artists and labels have experimented with and embraced the freewheeling digital distribution that the Internet affords. And many worry that a victory by major recording companies in a landmark file-sharing case now before the U.S. Supreme Court (news – web sites) could short-circuit the very technologies that they believe are making a more level playing field of the music business.

The nation’s high court is to hear arguments next Tuesday on whether the entertainment industry can hold file-sharing software firms Grokster Inc. and StreamCast Networks, which distributes Morpheus, liable for what computer users do with the technology.

Lower courts have sided with the software makers, which assert their so-called peer-to-peer technology is as legitimate as a videocassette recorder or a copy machine.

To read more, visit yahoo.com.

On the surface, DJ Spooky’s new collaboration with Slayer’s Dave Lombardo is just the latest example of his try-anything aesthetic, which has produced avant-garde turntable symphonies alongside dancefloor-fillers.

But “Drums of Death,” due April 26 on Thirsty Ear, is more than Spooky cutting up rhythms from one of metal’s greatest drummers. With its cameos from Chuck D and covers of vintage Public Enemy material, the album also functions as a sort of homage to Def Jam’s pioneering rock-rap fusions of the ’80s.

“Basically Def Jam is kind of like the Motown of our current moment,” Spooky tells Billboard.com. “They are the empire. But I look at when Rick Rubin was producing bands like Slayer, Public Enemy and the Beastie Boys as a kind of template for a lot of the things I’m into now.”

Thus, “Drums of Death” offers new versions of Public Enemy’s “B-Side Wins Again” (featuring guitar from Living Colour’s Vernon Reid), “Brothers Gonna Work It Out” and “Public Enemy No.1,” alongside equally hard-hitting originals like “Quantum Cyborg Drum Machine.”

To read more visit billboard.com.

Kings of Leon, DJ Krush and RJD2 are the latest additions to the 2005 Bonnaroo festival. This will be the second appearances for Kings of Leon and RJD2 who played in the festival in both 2004 and 2003 respectively. For a full list of the performers, visit the festival

Photos by Randy Nattis of moe.’s recent four-night run in Atlanta,
GA: Smith’s Olde Bar 3/2, Variety Playhouse 3/3, The Tabernacle 3/4
and Fox Theatre 3/5

Throughout this ten songer, The Stella Link journey through sweeping atmospheric numbers into agitated structured rockers. Although this four-piece aren

Live In ’71 has a lot to offer, including a separate audio CD, featuring even more tracks than the DVD. If you can get past the imperfections found in this release, you will equally find yourself wrapped up in one of the finer touring Rock & Roll and Soul acts of the 70

Nikka Costa has set a May 24 release for her second Virgin album, “can’tneverdidnothin’,” which was originally expected last year. In advance of the set she will join labelmate Lenny Kravitz’s Electric Church: One Night Only! outing and playing solo headlining shows on some of the tour’s off days.

“I know it has been quite sometime but things are movin’ finally over here so keep the faith,” Costa said last month in a post on her official Web site. “‘can’tneverdidnothin” is finally finished and I’m gettin’ ready to get my serious groove on!”

The soulful singer/songwriter indulges her rock and funk influences on the set, which she wrote and co-produced. Led by first single “Till I Get To You,” the album also features “Fatherless Child,” a tribute to her father, noted arranger/producer Don Costa.

The set is the follow-up to 2001’s “Everybody Got Their Something,” which reached No. 63 on Billboard’s Top R&B/Hip-Hop Albums chart and No. 120 on The Billboard 200.

Costa’s live work gets underway with a solo gig April 1 in Santa Ana, Calif., while dates on the Kravitz tour begin April 5 in Dallas. At deadline Costa’s schedule featured confirmed shows through a Los Angeles gig at the Roxy on the day of the new disc’s release and a performance the next night at Anaheim, Calif.’s House of Blues.

Here are Costa’s tour dates:

April 1: Santa Ana, Calif. (Galaxy)
April 2: Tucson, Ariz. (City Limits)
April 4: San Antonio, Texas (Sanctuary at Sunset Station)
April 5: Dallas (Nokia Live; w/Kravitz)
April 6: Austin, Texas (La Zona Rosa)
April 7: Houston (Verizon Theater; w/Kravitz)
April 9: Atlanta (Tabernacle; w/Kravitz)
April 10: Charlotte, N.C. (Owens Auditorium; w/Kravitz)
April 12: Orlando, Fla. (The Social)
April 13: Miami (Jackie Gleason Theater; w/Kravitz)
April 16: Philadelphia (Electric Factory; w/Kravitz)
April 17: Atlantic City, N.J. (Borgata; w/Kravitz)
April 19: Baltimore (Fletcher’s)
April 20: Washington, D.C. (DAR Constitution Hall; w/Kravitz)
April 21: New York (Beacon Theater; w/Kravitz)
April 23: Hartford, Conn. (Oakdale; w/Kravitz)
April 24: Boston (Orpheum; w/Kravitz)
April 26: Cleveland (Music Hall; w/Kravitz)
April 27: Toronto (Massey Hall; w/Kravitz)
April 29: Detroit (State Theater; w/Kravitz)
April 30: Indianapolis (Music Mill)
May 1: Chicago (Congress Theater; w/Kravitz)
May 3: Madison, Wis. (Luther’s Blues)
May 4: Minneapolis (State Theater; w/Kravitz)
May 6: Milwaukee (Rave; w/Kravitz)
May 7: St. Louis (Pageant; w/Kravitz)
May 8: Columbia, Mo. (Blue Note)
May 9: Kansas City, Mo. (Memorial Hall; w/Kravitz)
May 11: Denver (Fillmore; w/Kravitz)
May 1: Portland, Ore. (Schnitzer Hall; w/Kravitz)
May 14: Vancouver (Orpheum; w/Kravitz)
May 16: Seattle (Paramount Theatre; w/Kravitz)
May 18: San Francisco (Bill Graham Civic Center; w/Kravitz)
May 19: San Diego (Copley Symphony; w/Kravitz)
May 21: Las Vegas (The Joint; w/Kravitz)
May 22: Los Angeles (Wiltern; w/Kravitz)
May 24: Los Angeles (Roxy)
May 25: Anaheim, Calif. (House of Blues)

Source billboard.com.

Six months after the low-key launch of the CD/DVD hybrid known as DualDisc, major labels are planning a big show of faith in the fledgling format: Two of April’s highest-profile releases — BruceSpringsteen’s Devils and Dust and Rob Thomas’ solo debut, Something to Be — will be available only as DualDiscs. The format pairs a standard CD on one side of a disc with a DVD on the flip side that offers video content and, often, a surround-sound mix of the record.

DualDisc versions of the new Nine Inch Nails and Bon Jovi albums are in the works, and a flood of extras-packed reissues — from AC/DC’s Back in Black to David Bowie’s Reality — are already exploiting the format. “In the long term, we definitely see a transition from CD to DualDisc,” says Thomas Hesse, president of global digital business for Sony BMG. Sony, which owns Springsteen’s label, Columbia Records, formed a consortium last year with the other three major record companies to promote the newdiscs.

To read more, visit rollingstone.com.

Living Colour and Yohimbe Brothers guitar virtuoso Vernon Reid will be touring this summer with The Roots as their lead guitarist. Reid has stepped in to temporarily fill the void left by the departure of the Roots’s guitarist Ben Kenney. No word yet on whether The Roots have named a permanent replacement.

Source rollingstone.com.

Tom Petty & the Heartbreakers have secured the reunited Black Crowes for much of a North American tour that will kick off in early June and remain on the road through late August. The run will mark Petty’s return to the touring circuit after a two-year break from large-scale outings.

Petty’s run will open June 8 in Ft. Myers, Fla. At deadline, 22 shows were confirmed, including a June 11 headlining slot on the rock stage at Atlanta’s 12th annual Music Midtown Festival.

The Crowes opened their first tour since October 2001 on Tuesday in New York. As previously reported, the group warmed up for its return by playing surprise club shows throughout the Northeast.

In related news, the Crowes have linked with Instant Live to provide authorized soundboard recordings of shows on its current run, but at deadline it was unclear when the venture will be up and running.

Here are Petty’s tour dates:

June 8: Ft. Myers, Fla. (Germain Arena)
June 10: Tampa, Fla. (Ford Amphitheatre)
June 11: Atlanta (Music Midtown Festival)
June 14: Cincinnati (Riverbend Music Center)
June 15: Burgettstown, Pa. (Post-Gazette Pavilion)
June 17: Camden, N.J. (Tweeter Waterfront)
June 18: Mansfield, Mass. (Tweeter Center)
June 21: Wantagh, N.Y. (Jones Beach)
June 22: Holmdel, N.J. (PNC Bank Arts Center)
June 24: Hartford, Conn. (ctnow.com Meadows Music Theatre)
June 25: Buffalo, N.Y. (Darien Lake Performing Arts Center)
June 28: Grand Rapids, Mich. (Van Andel Arena)
June 30: Cuyhoga Falls, Ohio (Blossom Music Center)
July 1: Milwaukee (Marcus Amphitheatre; Summerfest)
July 13: Nashville (Starwood Amphitheatre)
July 15: Tinley Park, Ill. (Tweeter Center)
July 16: Caddot, Wis. (Rockfest)
July 20: Clarkston, Mich. (DTE Energy Music Theatre)
July 21: Noblesville, Ind. (Verizon Wireless Music Center)
July 27: Columbia, Md. (Merriweather Post Pavilion)
July 30: Saratoga Springs, N.Y. (Saratoga Performing Arts Center)
Aug. 26: Berkeley, Calif. (Greek Theatre)

Source billboard/com.

In the wake of the recent tsunami disaster in southeast Asia, hipster clothing chain Urban Outfitters along with Filter Magazine have assembled a benefit compilation of their own

On the surface, the name Soul Rebels looks just like any of the endless array of names that your eyes would pass over while browsing the racks at a music store. The result is music that is all over the radar screen, that features one track as a hip-hop song with a tuba playing the bass line, while the next is somebody dropping serious rhymes over a salsa beat. This may seem like a puddle of too many sounds to rope together into cohesive song structures, but the reality in each track retains enough of the traditional song structure to pull off a clean sounding album

Rock and roll, then. That

Floydfest IV has been cofirmed for July 29, 30, 31 in the Blue Ridge Mountains of southwest Virginia. For a fourth year in a row, towards the end of the summer, performers from all over the World, and music lovers from all over the country gather for an idyllic three-day music and arts Global Gathering. This year, no less than six continents will be represented, with musicians coming from as far as Australia. Committed to Cultural Preservation, the festival succeeds in blending traditions and arts from dozens of different countries every year into a vision of Global Community.

Acts on this year

Beginning with last nights opening performance at The Hammerstein Ballroom, Chris Kuroda will be running the light board for the newly reunited Black Crowes, and their entire tour.

During opening night, Chris got to flex his muscles on such classic Crowes tunes as “Twice as Hard”, “Jealous Again” and “Stare It Cold.” As well, opening night saw the band move through their vast repetoire, from their earliest material, to their most recent, while managing to work in the oft covered “It Takes A Lot To Laugh, A Train To Cry.” Chris’s lights were, expectedly, of far less influence than during his Phish days, however there were more than a few instances on which the lights were noticably adding to the music and to the overall feel of the show.

Source phantasytour.com.

America’s rockinest rock geeks are ready to return to the road on a tour that’ll take them worldwide.

Rumors of a Pixies/Weezer summer tour have been axed due to scheduling conflicts. But Weezer is about to return to touring – something they haven’t done since 2002.

With the band’s fifth album, Make Believe, set for a May 10 release, they’ll begin a worldwide tour at Vancouver’s Commodore Ballroom April 26.

The theatre tour will take Weezer down the West Coast, stopping in Seattle, San Francisco and Indio, Calif., where they’ll play the humongous Coachella Valley Music and Arts Festival April 30 where they’re right up there with Coldplay and Bauhaus on the list of headliners.

Other tour stops include Minneapolis, Chicago, Detroit, Toronto, Boston, Philadelphia, New York (two nights) and Atlanta.

The group currently has North American dates booked through May 14.

Once the Rivers Cuomo & Co. are finished conquering the U.S. and Canada, they’ll head to Europe for concerts in Germany, France and Austria. Then it’s off to the U.K. where the band will play two back-to-back gigs at London’s Brixton Academy June 14-15.

In August, Weezer will head to Japan for the Summer Sonic festival.

Source pollstar.com.

N.E.R.D., the band formed by blockbuster producers the Neptunes, have broken up, frontman Pharrell Williams announced in a BBC Radio 1 interview over the weekend. Pharrell emphasized that he and production partner Chad Hugo will continue their work as the Neptunes.

“N.E.R.D. is dead,” said Pharrell. “I don’t agree with the management at Virgin Records, so we’re done.” He explained that he and Hugo will “still do what we do in the studio” and remain on good terms with third N.E.R.D. member and childhood friend Shay. “I’m not here to slander or throw dirt,” Pharrell continued. “I’m just not happy, so therefore N.E.R.D. is expired.” Virgin declined to comment.

Rock/hip-hop trio N.E.R.D., or No One Ever Really Dies, released their debut album, In Search of…, in 2002. The record’s two singles, “Lapdance” and “Rock Star,” were modest hits and had videos in heavy rotation on MTV. (“Lapdance” was helped by its late-night clip featuring a roomful of nearly naked women.) The follow-up, Fly or Die, debuted at Number Six on the Billboard album chart upon its release last March.

Pharrell left open the possibility that new N.E.R.D. tracks might be released in the future, but through less formal channels. “Perhaps we’ll do some music for our fans and leak it on the Internet or something,” he said. “Who knows?”

The Neptunes collaborated with Mariah Carey on her upcoming album and currently have projects scheduled with Mary J. Blige and Omarion. It is unclear whether Pharrell, who was recently featured as a vocalist on Snoop Dogg’s hit “Drop It Like It’s Hot,” will pursue solo recordings in the future.

Source rollingstone.com.