Briefly: Go Motorboatin’ In Chicago w/ Members of Umphrey’s McGee, moe. and North Mississippi Allstars
Bayliss + Stasik + Garvey + Dickinson = Motorboat
Hidden Track Conversation: Who Should Reunite in 2012?
Who do our Twitter followers want to see reunite and tour in 2012?
Phish New Year’s Run: Eternal Joy & Never-Ending Splendor
We look at the past to get a handle on Phish’s upcoming NYE Run.
Boot Camp: Real Estate @ Bowery Ballroom – SBD Matrix
We point you in the direction of seven fantastic live show downloads.
Video: Tribes – We Were Children
Check out the video for the title track of the new EP from U.K.’s Tribes.
Cover Wars: You Can’t Always Get What You Want (The Rolling Stones)
Vote for your favorite version of this Stones classic.
The Roots: Undun
The heart monitor flatline in the opening of undun is more than an just an entry, it’s an exit and ending to a life that belonged to Redford Stephens, the poor-decisions-dictated-the-unfortunate-outcome-of-life type of identifiable character that The Roots’ 13th album is centered about. In this detailed introduction, the reverse whirlwind that shifts from the piercing first note into the ghostly organ-driven lines leads up to a man’s final breath of air in a fast-paced adrenaline rush.
The Beach Boys: The SMiLE Sessions [Box Set]
The Beach Boys very well could have been the American equivalent of The Beatles had they found a way to be more steady and work well with each other. However, the set also reveals the band’s influence on the general rock and roll scene more profoundly than ever, while also unleashing potential for much more.
Chris Isaak: The Manship Theatre, Baton Rouge, LA, 11/11/11
Coming out in a red-hot Porter Wagoner-styled ensemble, upon spying cameras in the hands of a few, he coaxed them into taking as many photos as they wanted: “I didn’t put this suit on for nothing”, he quipped. He would make a disco ball-like re-entrance for the encore in a mini-mirror-plated suit shooting bolts of reflected light throughout the intimate theatre. Getting everyone in a good-time mood, his opening repertoire included “Beautiful Homes”, “Dancing”, “Somebody’s Crying” and “I Want Your Love” which had Yatovitz doing his “dance of love”. “If you enjoy him, you can take him home,” deadpanned Isaak.
The Antlers: Nouveau Casino, Paris, France 11/21/2011
The Antlers’ evident enjoyment in playing to European crowds was certainly reciprocated by an equally fervent group of fans. It’s safe to say that The Antlers are welcome back to the Nouveau Casino at anytime as long as they continue to put on softly-layered and great sounding live performances.