Put together a band of diverse and disparate backgrounds that combine jazz, punk rock, hip-hop, shoegaze, and electronica and you have the collective known as High Pulp. Were it not
Austin-based alt-folk quartet Good Looks have been playing around their home base for a couple of years now but are finally releasing their debut album Bummer Year. The quartet is
Around the time Grizzly Bear released Shields, their oft-overlooked follow-up to Veckatimest, Daniel Rossen self-produced an even more overlooked EP of extras. Silent Hour/Golden Mile is a strong little collection
Listening to Second Nature, the new album from indie-pop outfit Lucius, you’d never guess that it’s been six years since their last proper studio effort, 2016’s underrated art-pop gem Good
Tanika Charles is a Canadian soul singer who has been nominated twice for a JUNO award and it’s easy to see why. On her first two albums Soul Run and
Sway: The Best of Carla Olson & Mick Taylor not only validates the impressive pedigree of both these veteran musicians, it also reaffirms just how smoothly their complementary talents mesh
Following up on the fantastic, lost weekend-inspired, 2018 release, God’s Favorite Customer, Father John Misty (aka Jonathan Tillman) turns to old-timey big band/jazz orchestras of the 1930s for inspiration and
On River Whyless’ strong prior release, 2018’s Kindness, A Rebel, the band added to their indie-folk sound via pulsing synths with success. Now after a few years, they return to
If there’s one thing the lauded electro-funk quartet Pigeons Playing Ping Pong want to impart to their listeners, it’s that life truly is precious, so you might as well enjoy
It’s been more than a decade since the Texas-based Tody Castillo last released a full album. But Old Rodriguez picks up right where 2008’s stellar Windhorse left off. Across 10
