[rating=7.00] The English born, “New Orleans bred”, Grammy winner Jon Cleary is stepping out on his own, releasing his first solo record, captured during a night of unfiltered playing. showcases
In the newest installment of Wannabe, artist Chris Prunckle reviews Up Ahead, the new album from rising Americana troubadour Travis Linville, in his signature six-panel comic strip form. Click on the image for full resolution (best viewed on desktop):
[rating=8.00] True to form, Avey Tare has returned with yet another quintessential conceptual album, making up for 2012’s flat Animal Collective release, Centipede Hz. Veering closer towards AC’s 2005 release
[rating=7.00] The Chris Robinson Brotherhood’s Barefoot in the Head is a marked return to form following personnel shifts in the band over the last two years. The album may not
[rating=8.00] Solace is a difficult thing to come by in this world, what with conflict, politicians and pontificators seizing the spotlight to the detriment of everything and everyone else. So
Community is a word we are fortunate to hear a lot about in live music. There are communities of fans that gather around their favorite musicians, music festival communities, communities
In his essay within the booklet enclosed in Dave’s Picks Volume 22, the editor of The Grateful Dead Almanac and Sirius XM radio host Gary Lambert writes with informed but
[rating=9.00] When you’re branded as a cabaret band, it doesn’t exactly raise expectations that you’re capable of anything other than luring a crowd to the dance floor and keeping them
[rating=6.00] For anyone who can’t take Boris Garcia seriously based on the band’s tongue-in-cheek name, the presence of Railroad Earth’s Tim Carbone should validate the premise of the group as
In the newest installment of Wannabe, artist Chris Prunckle reviews Youth Detention (Nail My Feet Down On The Southside Of Town), the new album from fired up Alabama rockers Lee Bains III & the Glory Fires, in
