After an uninspired techno performance by Heathered Pearls and a grandiose yet bland performance by Tycho, Phantogram took over Orlando’s Hard Rock Live needing to carry the weight of the
[rating=7.00] Capacity, Big Thief’s follow up to last year’s critically acclaimed debut Masterpiece, is an indie folk gem that builds upon the themes and successes of the band’s previous work.
[rating=8.00] For his follow-up to 2013’s impressive debut album, Dream, Ayron Jones turned to legends of the local Seattle scene. Mixed by Jack Endino (Soundgarden, Nirvana) and produced by Barrett
One week after dropping a new album, Be Myself, that is stylistically more similar to her music in the 1990s than anything released in the last decade, Sheryl Crow treated
[rating=6.00] For his tenth solo album Gargoyle, Mark Lanegan builds upon the sonic territory of his last release, 2014’s Phantom Radio, with a collection of gothic pop rock peppered with
Rocking blues jams were the order of the evening for Jonny Lang on April 25th at Orlando’s Plaza Theatre. Lang’s music has consistently evolved ever since bursting onto the blues
[rating Though in some ways The New Pornographers’ seventh album is an album of transition, it is also a return to form and a continuation of where the Canadian indie
[rating=6.00] For many fans, Cold War Kids peaked with their 2006 debut LP Robbers & Cowards. Others have come to appreciate the Long Beach band’s foray into pop music and
[rating-8.00] As the tongue-in-cheek title suggests, Soundgarden’s Ultramega OK was always a pretty good but not great album. The Seattle grunge pioneers made the mistake of switching from Sub Pop
[rating=9.00] Last Place shows no signs of the rust you would expect from a decade-long recording hiatus. Reunion albums have a notorious track record, but Grandaddy is able to recapture
