[rating=8.00] Chris Cornell has never been one to play it safe. From the innovative tunings and time signatures of Soundgarden to the bombastic arena rock of Audioslave to even the
[rating=6.00] In her first solo album since 2004’s Original Soul – released one year prior to forming the Nocturnals – Grace Potter takes a sharp change in course from the
On Monday night grunge pioneers Alice in Chains serenaded an Orlando crowd with the melancholic soundtrack they perfected. The deep droning guitars, pounding drums, and ferocious vocals associated with the
[rating=6.00] Restless Ones, the fifth studio album by Ohio rockers Heartless Bastards, is perhaps the band’s loudest album. Though their lo-fi garage rock roots are still apparent, Restless Ones has
[rating=6.00] Of course Franz Ferdinand joined forces with Sparks on a new album. The Glasgow post-punk quartet was heavily influenced by the pop rock pioneers, with their snarky songwriting, infectious
[rating=8.00] Delta Rae, the dynamic folk-rock sextet from North Carolina, returns with a sophomore release that is even more ambitious than their debut. After It All is a diverse collection
[rating=8.00] Allison Moorer, one of the strongest voices in alt-country, returns for her eighth studio album and the first for eOne Nashville. Down to Believing is Moorer’s most provocative album
[rating=7.00] It has been seven years since Swedish songwriter Jose Gonzalez’s last solo album, though he has been far from idle in the meantime. Recording two albums with Junip –
[rating=8.00] Once the Dodos wrapped recording on 2013’s Carrier, the San Francisco duo realized that they still had a lot more to say. Wanting to capture the momentum, they immediately
[rating=8.00] “The Singer Addresses His Audience” begins the Decemberists’ seventh album with the narrator defending his band against claims of selling out. “We know you threw your arms around us
