Candlebox’s seventh studio album continues the foray into pop-rock that began with 2016’s Disappearing In Airports. Though the Seattle band capitalized on the breakthrough success of grunge music on its
Slothrust’s fifth album is a gratifying blend of hard alternative and pop-rock with a folksy twang. On 2018’s The Pact, the Boston band started incorporating more pop melodies and soft
Like many albums from the last year, Screen Violence was heavily influenced and affected by the global pandemic. The fourth album from Glasgow synth-pop band CHVRCHES was created in fragments,
Contrast is one of the things that makes Welsh indie rock band The Joy Formidable so interesting. Soft, soothing vocals contrast loud rock instruments. Intricate melodies contrast heavy rhythms. So
The fifth TORRES album, Thirstier, finds indie artist Mackenzie Scott breaking new ground, expanding her territory into a more excited and positive place. The quiet, contemplative sound that made up
Back in 2014, Modest Mouse recorded another album’s worth of songs at the same time as the sessions for Strangers To Ourselves. Though three songs were released as singles, the
Eclectic alt-rock veterans Garbage have returned with their third post-hiatus album and seventh overall. No Gods No Masters continues in the Wisconsin band’s tradition, melding disparate musical styles into a
Daddy’s Home, the sixth solo St. Vincent album, marks another abrupt turn for the musical chameleon. Following two art-pop albums drenched in electronic influences, this release is Annie Clark’s most
Over its seventeen years of alternative music, Manchester Orchestra’s sound has been about balance — balancing light and darkness, heavy and soft, introspection and aggression. At times, the scales shift
The Rise & Fall of Loverboy, the third album from Southern California band Sir Sly, delivers an upbeat amalgamation of rock, electronica, and hip-hop that straddles the line between pop entertainment and
