Released in 1962, The Cry is an ambitious and compelling album that stands as a testament to the experimental spirit of the early 1960s jazz scene. The Prince Lasha Quintet,
Constitution, the expansive double album by South African drummer Asher Gamedze and his ten-piece ensemble, The Black Lungs, is a bold and profound exploration of musical and philosophical themes. Released
The reissue of Chalino Sanchez’s Nieves de Enero on vinyl by Craft Recordings, over three decades after its original release, is not just a revival of a classic; it’s a
Things Are Getting Better, the album by Jimetta Rose & The Voices of Creation, is a jubilant celebration of hope, resilience, and community. It’s a sonic journey that blends the
Creed’s sophomore album, Human Clay, isn’t just an album—it’s a snapshot of a time when post-grunge reigned supreme. Originally released in 1999, the album catapulted Creed to international fame, becoming
When Patrice Rushen debuted with Prelusion in 1974, she was already a musical prodigy making her mark on the jazz-fusion scene. Known initially for her classical piano background, Rushen’s transition
Tomin Perea-Chamblee’s debut album, Flores para Verene / Cantos para Caramina, offers a deeply personal and contemplative journey into the heart of jazz, blending homage and innovation in equal measure.
Skip James, a master of Delta blues, showcases his profound talent and unique style in the album Today! Released in 1966, this album marks James’ return to the music scene
A Shipwreck in the Sand, Silverstein’s fourth studio album, is a testament to the band’s growth and their ability to blend post-hardcore intensity with melodic sensibilities. Released in 2009, this
AFI’s fourth studio album, Black Sails in the Sunset, marks a significant turning point in the band’s evolution, both sonically and thematically. Released in 1999, this album sees AFI diving
